Tag: design

  • Studio Visit: PAKTA STUDIO

    Studio Visit: PAKTA STUDIO

    We first talked with Kerim and Hana, the founders of PAKTA STUDIO, when they were just starting their bag and accessories brand after moving from London to Bratislava. It’s just been over a year and Kerim and Hana have now opened their own workshop and store (Tobrucka 1, Bratislava, 81102) as a means for customers to see the handmade process before purchasing the products,  as well as a point of contact with the local community in order to get to know people better.

    We caught up with them to find out more about the space, the new products they’ve been working on and their plans for the upcoming months.

    www.paktastudio.com

    Can you tell us about what you have been doing since we visited your studio? How has PAKTA grown over this period of time?


    Quite a lot has happened in a year, we can’t believe it’s only been that. We have moved into a new place which serves both as our workshop and our store. It’s a great space for us to work in, as well as for people who wish to visit the store and try on our bags or see the whole production process. We’ve also expanded our product range to include the KONSIO collection (which includes some small accessories), the DERIVAT collection (which is made from our production scraps) and a selection of magazines.

    We also spent a lot of time refining our visual identity and brand. Now we go under PAKTA STUDIO, to truly encompass everything that we do within the brand and our focus on a holistic approach to designing and production.

    What made you open your own store and workshop? How have the locals in Bratislava reacted to it?



    We had pretty much outgrown our old studio and needed more space to work in. We found this place on a hidden corner in the centre of Bratislava, and we just had to take it. It’s a pleasant area to work in and is very accessible, which is great for people who wish to visit. This helped us solve the problem of setting up appointments for people to try on the bags and being able to see them in real life.

    Half of the week the space functions as a workshop, where we work on the designs there and have meetings. The other half of the week, the store is open for people to come in and try on the products or browse the magazines, or just chat with us if they have any questions. We think sometimes people are confused as it’s quite an unusual space, it’s not your usual retail store because we work there as well. But people seem to enjoy being able to see the bags being produced to be restocked, and knowing that it really is all made by us. We’ve only had good experiences so far, really.

    Can you tell us about the space and what people can find inside?

    One of the first things you notice about the space is the large windows, which were important to us. We love working with natural light, and being able to have plenty of plants is important to us. The shop is divided into two main areas – one half being the workshop and the other being the store. All of our bags are hanging on the wall to peruse, and then we have a cosy upstairs where you’ll find our curated magazine selection, which includes magazines you can’t find anywhere else in Bratislava, and the DERIVAT collection.

    On the workshop side of the studio, you’ll find us, and all the materials we use to make our products – from fabrics, to the components, and the tools we use. Depending on when you come, you might find us in the process of making some bags, experimenting with prototypes, or discussing new ideas.

    Currently we also still have some photos on the walls from an exhibition we held in the space earlier this year, which draws your eyes around the room.

    When we first talked, you were only making a few products but now your offer has grown. Can you tell us more about your new products?

    Yes, we’ve spent a lot of time working with new product ideas and new materials, and now our product range is basically split into 3 collections.

    Our regular bags and backpacks made from waterproofed cotton sailcloth are. With this collection, we still focus on bringing functional bags which are made using durable metal components. Most recently, we took a lot of feedback on our original RUKSAK design and released RUKSAK 2, a more robust and versatile backpack. We also released a small bag in a limited edition called the REZIDENT when we opened the space, with an adapted form of our logo which forms the floorplan of the studio (the release included 42 bags, which is the square meterage of the space).

    The new collection KONSIO, which we are really proud of. It’s made using Piñatex, a wonderful new material made from pineapple leaf fibres. Exploring new, innovative materials which are more sustainable and environmentally-friendly are important to us. With this collection, we loved the challenge of finding the balance between what we can do with the material and the shapes we wanted to create. This collection also expands beyond just offering bags, to offer accessories such as the Wallet and Keyring.

    And our DERIVAT collection, which is made from our leftover fabric, which is generated as part of our making and innovating process. In an attempt to minimise our waste, we regularly explore the leftover fabric we have and look for ways we can re-use it to give it a new life. This often results in experimental and interesting shapes, but is a great challenge for us and helps us be conscious of the waste we generate as a studio.

    What are your plans for the upcoming months?

    Currently, we’re in the process of testing and working with a new fabric for a totally new collection which is proving to be a lot of work at the moment. We also want to focus more on the DERIVAT series, as solving the problem of fabric waste is very dear to us, and not only that but sustainability overall.

  • A visit to IED Innovation Lab in Carabanchel, Madrid

    A visit to IED Innovation Lab in Carabanchel, Madrid

    We recently visited the new space of Istituto Europeo di Design (IED) in the up-and-coming neighbourhood of Carabanchel, Madrid. IED Innovation Lab is conceived as a design playground for transformation projects – whether it is exploring new food possibilities with a Michelin-starred chef or engaging with local businesses and neighbours.

    IED Innovation Lab provides new design experiences and tools for companies, public institutions, neighbours, students and creatives to come together and work on their projects revolving around transformation. This space, located in a former furniture factory, has been renovated to host meeting areas, a fabrication workshop that students from IED can use to complete their assignments, a canteen which will soon be open to creatives working nearby too, a rooftop with amazing views of Madrid’s skyline and 6 labs dedicated to exploring ideas around different topics: Fab Lab, Media Lab, VR Lab, Green Lab, City Lab, Business Lab and Food Lab.

    IED Innovation Lab operates on the basis of 6 principles, all conceived under a holistic approach in order to tackle design problems from a new perspective.

    Matchmaking: IED Innovation Lab provides access to the largest creative community in Madrid, facilitating collaborative projects between people and organisations with similar goals.

    Empowering: Design should be accessible to everyone, that’s why IED Innovation Lab works to put it into the hands of the people and businesses that need it the most.

    Playful: Creative, fun and messy exploration are some of the key elements when approaching a design project.

    Unbound: As an unresolved and self-organising place, the roles shift and transform based on the personalities, relationships and ideas that inhabit the space.

    Humanistic: The sense of community and the relationship between the individual and society are strong at IED Innovation Lab, bringing a new dimension to design and the way problems are solved.

    Formative: Everyone is a student at IED Innovation Lab, helping each individual to grow their multidisciplinary knowledge and develop new areas in which they can apply their skills.

    Still at its early stages, IED Innovation Lab will open its doors officially in early autumn 2018. You can find more information about the current projects and plans for the upcoming months on its website:
    www.iedinnovationlab.com

  • Safomasi

    Safomasi

    Sarah Fotheringham and Maninder Singh are the founders of Safomasi, a textile design studio in New Delhi handcrafting home textiles and accessories inspired by their travels all around the world. We spoke with Sarah and Maninder to find out more about what made them start Safomasi, the artisans they work with and their plans for the upcoming months.

    www.safomasi.com

    Can you tell us about your backgrounds and how you met?
    I, Sarah, studied illustration at the University of Brighton and lived in London before moving to Delhi to work as an art director with advertising agency Wieden + Kennedy. Maninder had been living in Australia and moved back to India around the same time, in the summer of 2010, for a job with the Fashion Design Council of India. We met at a photoshoot at Maninder’s friend’s studio.

    What made you start Safomasi?
    It didn’t really start as a business, it evolved organically from us looking to spend more time together. Before I started my job in Delhi I spent 4 months travelling around India and had a sketchbook full of print ideas. I was working on developing them in the evenings and weekends. Maninder would be with me and we began to talk about how we could take them further. We came up with the idea that we could work and travel together, creating collections that told the story of the different places that we travelled to. Maninder had contacts in the fashion industry, who helped us to create initial samples.

    What are some of the inspirations behind your designs?
    Each of our collections are inspired by travels to a different part of the world. Our latest collection, Kapadokya is inspired by Cappadocia in Turkey. Other collections have been inspired by travels in Japan, South India, adventures on safari and holidays in the South West coast of England.

    Can you tell us about some of your favourite projects you’ve worked on?
    Aside from our own collections one of the most fun projects was to design the interior of a Mumbai taxi. We were given ‘architecture’ as a broad theme and created a rainbow hued print referencing the city’s Art Deco heritage.

    Your products are handmade, can you tell us more about this process and the artisans and other local creatives you work with?
    We have a small team of tailors who work with us in our studio in New Delhi. For printing we work with a family run screen printing workshop who have been in business for over 50 years. They’re great and very patient with our intricate designs. Quilts are quilted by hand in Delhi by a small group of women who work from home. Rugs are handwoven in Bhadoi, Uttar Pradesh.

    Is there any particular product or other areas you’d like to experiment with and work on in the future?
    We’d love to work more on interiors projects. We’d also like to to work with materials other than textiles. Ceramics is an area we’ve wanted to explore for a while.

    Can you tell us about your plans for the upcoming months?
    We’re getting married in 2 weeks, so that’s on our minds right now! After that we’ll focus on developing our new collection to launch in January 2019.

  • The New Mediterranean

    The New Mediterranean

    A shared love for plants, handmade products, natural materials, Henri Matisse and the organic shapes found in the Mediterranean architecture and landscapes are just some of the elements that connect a new wave of Barcelona-based creatives and collaborators who are influencing current fashion and art trends. We’ve selected some clothing and accessories brands, shoemakers, illustrators and jewellery labels that represent the aesthetics and values of what we have called ‘The New Mediterranean’.

    Paloma Wool


    Image via Paloma Wool Instagram

    Founded by artist and designer Paloma Lanna, Paloma Wool is described as a “a project on photography, clothing and other experiments”. Paloma Wool’s products are locally made in Barcelona, often collaborating with artists to create items ranging from clothing and jewellery to bags and art books. Paloma also explores “the space or ideas that are created around the act of getting dressed” through art installations and performances in which she also collaborates with other local creatives like art director and photographer Carlota Guerrero, known for her work with Solange.

    www.palomawool.com

    LEVENS

    Image via LEVENS Instagram

    Actress Mar del Hoyo is behind LEVENS, a jewellery label founded in 2016. Mar creates ceramic earrings inspired by her fascination for nature and femininity. All LEVENS’ products are handmade, with differences in shape and colour which make them unique. In fact, these ‘imperfections’ are part of the ethos behind this project: “Imperfect pieces that arise from a manual movement, almost intuitive, in which the simplicity of forms and materials are a sign of identity”.

    www.levensjewels.com

    About Arianne

    Image via About Arianne Instagram

    About Arianne was one of the first Stories we published on our website. The founders of About Arianne, Ariadna Guirado and Ernest Vidal, have been creating women’s shoes 100% made in Spain since 2010 and have also recently started to design bags. From their shop/studio in Barcelona’s Poble Nou, Ariadna and Ernest produce slow-fashion centred around three values: quality, comfort and design. About Arianne’s shoes and bags are inspired by classic lines and silhouettes which are reinterpreted with a contemporary vision, creating unique and timeless pieces.

    www.aboutarianne.com

    Tana Latorre

    Image via Tana Latorre Instagram

    Tana Latorre is an artist and one of the close friends and collaborators of Paloma Wool – she has illustrated clothing and worked together on other art projects with the label’s founder Paloma Lanna. Born in Nairobi, Tana lives in Barcelona and her minimalist drawings of female silhouettes and faces have been reinterpreted by other artists like sculptor Diego Cabezas and the Berber women behind Anou, a project connecting artists with artisans in Morocco.

    www.instagram.com/tanalatorre

    Matagalan Plantae

    Image via Matagalan Plantae Instagram

    Born in Costa Rica, Carolina Spencer moved to Barcelona in 2004 and worked as a florist before starting Matagalan Plantae in 2013 as a project exploring the relationship between plants and pots, and their connection to the city. Caroline saw the plant and its container as just one object, and wanted to replace the traditional plastic pot with ceramic vases made by hand in Cataluña in order to create a plant/pot combination more aesthetically pleasing.

    www.matagalan.club

    Ölend

    Image via Ölend Instagram

    Fran Rios, Adriana Dumon and Antonio Longás started Ölend with the idea of creating backpacks for themselves, and their friends liked them so much that they decided to start making them on demand. Ölend’s backpacks and bags are inspired by travelling, challenges and mountaineers from the 40’s and 50’s. They are handmade 100% in Barcelona, using only the highest quality materials and sometimes even customised based on the clients’ preferences.

    www.olend.net

  • Mill Project

    Mill Project

    Founded by Tom Kirkman and Jarred Shirley, Mill Project is a company that creates wristwatches based on a philosophy for honest design. We chatted with Tom and Jarred to find out more about their inspiration, their first watch collection and running a business from two different cities.

    www.millproject.net

    Can you introduce yourselves and tell us a little bit about what you did before Mill Project?

    We are Tom Kirkman, originally from a small town in Angus, Scotland now based in Edinburgh and Jarred Shirley also from Edinburgh now living in Berlin, Germany. We were both working at the same design agency in Edinburgh and felt unable to express ourselves, mainly frustrated with the lack of passion and creativity we were seeing in our work.

    How did you decide to start Mill Project?

    It all started from a conversation one night after work – we were in a pub at the Shore in Leith, a neighbourhood in Edinburgh. We would often meet up after work to discuss different possibilities and think of ideas of how we could channel our creativity and passion into something that represented us as designers and as people.

    Why did you decide to call your brand Mill Project?

    We always feel explaining the origin of the name is a little strange. We guess we wanted to look back to the tradition of making and crafting an object and where that fits into the ongoing process when designing an everyday item.

    Can you tell us about your design inspiration?

    Honesty is our driver. By adopting this design philosophy we could really focus on what was important in designing a wristwatch. We want to reach people with a product that they feel comes from a genuine place and the way we try to do that is through our choice in details. Hopefully we can stand out by being real with people, you can always tell when a person is on the same wave length to create from an honest place.

    Can you tell us a little more about your first watch collection, The Nelson Series?

    The Nelson Series, is a tribute to the American industrial designer George Nelson. Aesthetically there is no similarity, we admire how Nelson was able to design at the most humane level connecting the person to the product. We are very strict on ourselves not to wander outside of those principles and that doesn’t just apply to the watch.

    Can you tell us about your design process? Where are the watches designed and where are they manufactured?

    Every component, apart from the Swiss movement, was designed in our studio in Edinburgh. We put ourselves through an intense process for creating the watch face, with several designs nearing production and then disregarded to go back to the drawing board. It’s hard to say how many iterations we came up with, but this allowed us to be sure of our decision and that’s probably the most satisfying part – when we were able to trust our final design without any regrets or compromise.

    We spent a few years researching but the turning point was finding the right manufacturers we could collaborate with and who understood our vision and from there everything started to click into place. We work with a small family-run company out of South East Germany.

    You’re based in Edinburgh and Berlin. Can you tell us about your experience running a company from two different cities? Have you faced any challenges?

    We never really thought too much of it as we were confident we could make it work – it’s been a positive impact on our work ethic and inspiration to feed off what each city has to offer. It’s allowed us to reach and engage with like-minded individuals for some great collaborations. Moving forward, we feel it can only be an advantage for what we want to achieve.

    Do you have plans for a second collection or any other projects that you can share with us?

    We’ve just launched our first series, we are excited to be working with some new stockists and other creative individuals that share our passion for good design. We’ve also planned a few collaborations, it’s fun for us to be able to engage with our peers and brands we admire and share ideas on what we can do next. The last 4 years for us have been pretty intense, so we’re trying to enjoy the moment as much as possible and take a step back from the design process to concentrate on seeing the watch out in the world!