Tag: design

  • Lockdown Stories: LOFO

    Lockdown Stories: LOFO

    Lockdown Stories is a series of short interviews with creative entrepreneurs and businesses that have been affected by the COVID-19 crisis. Since its beginnings, the main goal of Future Positive has been to share inspiring projects happening all around the world and, during these strange and difficult times for independent businesses and creators, we want to continue providing support and visibility. If you’d like to be featured in this series, please get in touch at hello@thefuturepositive.com and tell us your story.

    LOFO
    Trans-seasonal collection of unisex clothing. On top of the simple organised model, experiments in regular clothing are made to regularly test social and commercial outcomes.
    Location: London, UK
    www.lofo.london

    When did the lockdown start for you and how has your business been affected?

    Officially the lockdown started early in March. Our building was just opened by the Deputy Mayor for Culture, Justine Simmons, in late February. We were supposed to move our production space over there. We were ready to start sewing. Unfortunately, everything closed down and went in limbo.

    The family workshop where we made clothing back home in Romania also closed down immediately afterwards. Under even harsher lockdown rules, all their workers were put on furlough indefinitely.

    We’re not seasonal, so that meant no canceled SS or FW presentations. But it is still a hit we took, like many other businesses out there.

    Have you found any new ways of working or have you come up with new product ideas during this time?

    Our definitive move to London last year meant we’ve spent the past 10 month doing WFH. What was a drawback actually turned into a benefit. We were very used to this, coordinating things from home central. Of course our plans to move production to London were massively impacted, but we’re glad we didn’t have to let any people go.

    This whole situation has also sharpened our focus. The need to keep busy spawned the LOFO edit we’re working on right now, dedicated to the ‘new normal’ and exploring the transformational qualities of lockdown and being isolated. We’ve also used our home sewing machine to make gel pouches and donate profits to our local Southwark food bank. Hardship also has some qualities to it, and we’re trying to put whatever conflicting emotions we have to good use.

    There has been a massive effort by many UK brands to help with building protective equipment and, from this point of view, we’re actually glad to be in this industry.

    What are some of the positive takeaways you have experienced during this time?

    We feel this ‘forced break’ pushed us a lot in rethinking what our current business means and what its place in the world is. Coming from a graphic design background (still doing things at www.weareloot.com) we feel quite productive in a context of problem solving.

    Some positive takeaways and how we feel business should evolve: localised production / services with minimum impact on the environment and as sustainable as possible, community involvement and more awareness about how we experience the surroundings, a big shift towards digital products / services even in areas we wouldn’t normally think possible.

    Also, there’s a clear signal that the fashion industry is changing fast. There’a a lot of talk and it’s not sure where it will go from here. Most things will probably revert to a version of what they were, but there will also be side innovation. We’re keeping our eyes and ears open. And trying to help build that alternative model ourselves as well.

    How do you see your business evolving over the next few months?

    Our delayed but business-defining move to Poplar will happen eventually. We are hoping around late July or August.
    The space is part of a bigger reshape of the East London business landscape. The project is aimed at community revival and is part of the ongoing effort of Poplar HARCA in partnership with London College of Fashion, UAL and The Trampery. It’s a huge undergoing.

    We’ll work alongside some very talented designers. For the future of LOFO it will definitely mean that we can put many of our plans in action. Once it happens, we’ll move all manufacturing to London, into our micro-production workshop.

    Let’s end this on a positive note – this all will pass, we need to be aware of opportunities that come along with it and try to cope with whatever it throws our way. As the saying goes, we’re in this together (well, most of us). And we’ll make the most out of anything.

  • Lockdown Stories: PAKTA STUDIO

    Lockdown Stories: PAKTA STUDIO

    Lockdown Stories is a series of short interviews with creative entrepreneurs and businesses that have been affected by the COVID-19 crisis. Since its beginnings, the main goal of Future Positive has been to share inspiring projects happening all around the world and, during these strange and difficult times for independent businesses and creators, we want to continue providing support and visibility. If you’d like to be featured in this series, please get in touch at hello@thefuturepositive.com and tell us your story.

    PAKTA STUDIO — Multidisciplinary brand producing ethically hand crafted bags and backpacks and accessories for everyday use
    Location: Bratislava, Slovakia
    www.paktastudio.com

    When did the lockdown start for you and how has your business been affected?

    The precautions started around the 13th March, when there was the first confirmed case in Slovakia. I guess we were quite fortunate in that we were primarily an online store to begin with, so there wasn’t a great jump in terms of how we had to operate. We did close the store to the public, but as it functions as both a studio and store, we are still working here which is quite lucky for us.

    Some places we source materials from had shutdown, and so we had to postpone some projects that we were working on. Honestly we’re just trying to stay positive and empathetic, and focus on surviving as a business through this, and focusing on the community.

    Have you found any new ways of working or have you come up with new product ideas during this time?

    When masks became a requirement by the Slovak government, we wanted to try and do our bit to help. We put together a downloadable plan for people to make their own masks. People then started asking if we could make them for them, so that’s when we started offering them on our website. We sell them at cost price, and offer a 1€ donation for each mask sold to ‘Kto pomôže Slovensku’, which is an organisation which is helping those vulnerable and distributing materials and equipment during the pandemic here in Slovakia.

    With our newsletter too, we’ve also been sharing some of the activities we’ve been doing during the lockdown, in the hope to inspire people and give them something to do during these isolating times. We’ve shared regrowing vegetables from offcuts, recipes for bread and cakes, and we’ve got a few more ideas already lined up for the coming weeks.

    We also offered a sale all of our magazines at 5€, just to give people something new and exciting to read during this time that isn’t necessarily on a screen. Asides from that, we have started working on some other projects but nothing set it stone right at the moment!

    What are some of the positive takeaways you have experienced during this time?

    There’s been a real sense of community and camaraderie during this time, which has been wonderful. People reaching out to make sure everyone is okay, neighbours helping each other, and even within the local businesses there’s been talks on how to help each other. And with the precautions not being overwhelmingly strict in Slovakia, we’re quite lucky that we are still able to go out. So whilst shops, cafes, and bars may be closed, we’ve been going on lovely walks around the city and in the parks and forests.

    How do you see your business evolving over the next few months?

    It’s difficult to really plan ahead at the moment, as there is need flexibility, just trying to keep up and try and offer what people need. We have a lot of projects that we have shelved away that were put aside for more prioritising work, but now that priorities have changed we will be going back to review what projects we have ongoing and which ones would be best to continue at the moment.

  • Lockdown Stories: Silvia Stella Osella

    Lockdown Stories: Silvia Stella Osella

    Lockdown Stories is a series of short interviews with creative entrepreneurs and businesses that have been affected by the COVID-19 crisis. Since its beginnings, the main goal of Future Positive has been to share inspiring projects happening all around the world and, during these strange and difficult times for independent businesses and creators, we want to continue providing support and visibility. If you’d like to be featured in this series, please get in touch at hello@thefuturepositive.com and tell us your story.

    Silvia Stella Osella — Textile & surface designer, trend & color consultant
    Location: Milan, Italy
    www.silviaosella.com

    When did the lockdown start for you and how has your business been affected?

    Social distancing here started pretty early since this is the area where the pandemic first started in Europe. So we have been home from February 24th, and full lockdown started a couple of weeks later.

    I am an independent designer and consultant, so of course my business has been affected; many projects have been cancelled or postponed (with no certainty of the new dates, of course…) I work mainly with companies: textile manufacturers, fashion brands, etc. Now most of my customers are facing very difficult times, and nobody knows how long it will take to really recover from this.

    Also, working at home with a toddler and the idea of schools not reopening will definitely have an impact on our work too.

    Have you found any new ways of working or have come up with new product ideas during this time?

    Luckily I work with many international customers, and the pandemic hasn’t hit any country in the same way; also, I am finally able to focus on some collaborations I never really have the proper time to think about.

    What are some of the positive takeaways you have experienced during this time?

    Slowing down and spending time with my little family, without any doubt. Usually during the year we work so hard and when it’s time for holidays we run somewhere very far for as long as possible! So we actually never get to spend so much time at home, enjoying our time together in its simplicity, taking care of our garden, cooking, playing. I really, really hope that this experience will teach us all to live at a different pace.

    How do you see your business evolving over the next few months?

    I still don’t have a clear idea of when things will get back to normal in my studio. I think it’s probably going to be a pretty slow process, but I am trying to see all this as an opportunity: my work is based on deep research on trend forecasting, color evolution and so much more, and I am really eager to study how this huge, unexpected event will impact on the creative fields.

  • Muller Van Severen: ALLTUBES

    Muller Van Severen: ALLTUBES

    Muller Van Severen is a Belgian design studio founded by Fien Muller and Hannes Van Severen in the Spring of 2011. The couple creates sculpturally interesting furniture objects, always including the space around them, and characterised by a careful research led by their shared passion for art, architecture and materials.

    www.mullervanseveren.be

    Furniture images by Fien Muller & portrait by Mirjam Devriendt.

    ALLTUBES is a new series of objects consisting of the repetition of round aluminium tubes. The collection includes several cabinets, a sofa and a chair, and forms a family with the same genes but different characters.

    Through the rhythm and repetition of the round shape, the objects are stripped of their severity. This also creates the wavy effect and gives the surface the opportunity to play with the light. By bringing together the same element each time, surfaces are created and the whole literally and figuratively gets a strength.

    There are no hinges, rivets or door openings visible, they dissolve or visually disappear in the circuits of the round profiles. This makes the cabinets more like volumes, a kind of mysterious plinths, stripped of front, back or side. Only by extending the four tubes do these volumes come off the ground, and the tubes become legs or supports that illuminate the whole. They become free-standing objects in the space, characters in a setting.

    ALLTUBES will be presented at:

    Collectible Design Fair Brussels I 5-8 March
    Valerie Traan Antwerp I 12 – 29 March
    ‘Design ! Muller Van Severen at Villa Cavrois’ I 17 March – 18 October

  • Glasgow Print Fair: Bringing Together People Passionate About Print

    Glasgow Print Fair: Bringing Together People Passionate About Print

    Print is still on the rise and the best example is Glasgow Print Fair, a new festival and the first of its kind taking place in Glasgow. Organised by local creatives Jane McDevitt, partner at Maraid Design, and Kaye Symington, co-founder at Paved with Gold, this festival celebrates established and new printmakers, and brings people together for a day of print-based fun.

    Glasgow Print Fair will take place on Saturday 2nd November (10am – 5pm) with free entry at The Lighthouse.  The festival will showcase prints and other products by over 50 makers from the UK and Europe. With work by established studios and artists like Lesley Barnes and Risotto Studio (read our interview with its founder!), collectives and design shops like Yuk Fun Now and Welcome Home, and also some emerging talent from Glasgow School of Art.

    Do not miss this opportunity to support print and take home with you textiles, zines, posters and much more!

    www.glasgowprintfair.co.uk