Tag: design

  • Enrich and Endure

    Enrich and Endure

    Enrich and Endure is a new Irish linen and wool homeware company started by creative brother and sister duo Lorcan and Sarah Quinn from County Down, Northern Ireland. Growing up in the centre of what was once the beating heart of the Irish linen industry, Sarah and Lorcan revive their region’s heritage while simultaneously pushing it towards an entirely new direction. We spoke to Sarah to find out more about the brand.

    Photos courtesy of Enrich and Endure.

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    Please tell us about your background. How did Enrich & Endure come about?

    Sarah: I have always been creative and driven towards design. I studied art at Manchester University but found my enthusiasm somewhat suppressed, it was there that I realised I didn’t really know what I wanted to do as a career. So I did what most confused creatives do in their early twenties and went travelling – learning new skills along the way. I firstly worked for an interior designer for two years in Northern Ireland before moving to New Zealand where I worked for an interior designer and stylist. It was during my time in New Zealand that I realised what I wanted to do – create a community of like-minded creative people to reinvent Irish products in a fresh and unique way.

    I decided to return home just 13 months ago. Lorcan who had taken a career break and had also went off travelling came to visit me in New Zealand 6 months previous. We came up with a plan and decided to return to the nest in October 2013 and get cracking. Lorcan is from a business background so we decided to combine both our skills and passions and work together to develop our own company. It has taken about a year to get off the ground which has proven very hard work but extremely satisfying when we launched our website just 7 months ago.

    Who’s responsible for what in your team?

    Sarah: Lorcan works on all things business, social and marketing, he is in charge of making it all happen. I’m in charge of all things creative, design and production and writing our blog – also a self-confessed post-it-note queen.

    You mentioned that your town used to be the beating heart of the Irish linen industry. Did you see a lot of local support for your idea?

    Sarah: Yes, the local support has been absolutely fantastic! Just this week we attended a civic reception with the town mayor and members of the local press. The support beyond our town across the rest of Ireland has been fantastic also. The product offering and overall concept has been extremely well received, people are really keen to see a young dynamic company working with traditional industries.

    How do you make sure your products are innovative and cerated with respect to the Irish linen heritage at the same time?

    We take traditional patterns and respectfully redesign them by introducing vibrant colours and creative yarn blends, like weaving linen and wool together.

    The brand launched earlier this year – what are your plans for the nearest future?

    Sarah: We have grand plans for the future! The short term plan is build off the platform we have and expand our collections to offer even more colourways. In the medium to long term we plan on introducing other Irish made products into the offering to push further towards our goal of becoming an all round lifestyle brand. The goal of the company is to offer products that both “Enrich” and “Endure” – this ethos is what we always focus on delivering!

    www.enrichandendure.com

     

  • Edinburgh Roxburgh’s Court Art Project

    Edinburgh Roxburgh’s Court Art Project

    The Chris Stewart Group, The City of Edinburgh Council and Edinburgh College of Art have recently partnered up to transform Roxbourgh´s Court  – an undiscovered gem in Edinburgh’s Old Town – into a destination.

    More than 30 Product Design students from Edinburgh College of art have entered a competition to come up with an innovative urban design to bring more attention to this area of the city. In teams, the students presented a total of 9 different entries from which 3 have been short-listed and are now part of a competition where people can vote for their favourite entry to be turned into a real project.

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    Douglas Bryden, Programme Director of Product Design at ECA emphasised on the challenges of site-specific designs and how the students have responded to them:

    The design brief set by The Chris Stewart Group provided a great opportunity for Product Design students to learn more about one-off site-specific design. We challenged the students to research, design, and finalise an installation design concept for the site at Roxburgh’s Court within a day. The students responded incredibly well, working intensively to explore a variety of creative approaches to change Roxburgh’s Court and the adjacent closes into an interesting destination for both tourists and local residents. The students are very excited about the potential for the winning design concept to be evaluated and developed for fabrication and installation at Roxburgh’s Court.”

    Our favourite entry is Night guide, which proposes illuminating Roxburghs Court for pedestrians during night hours using motion sensors and LED strips. You can see all the entries and vote for your favourite on the link below:

    www.lateralcity.com/roxburghcourtartproject

  • EOEL Print Giveaway

    EOEL Print Giveaway

    To celebrate the relaunch of Future Positive, we’ve teamed up with Earl of East London to give away a ‘Water The Plants’ A3 print. The print is lovingly made in London and is the first in the ‘Reminder Series’ – a range of tasteful reminders for the often forgotten. The illustrations are hand drawn and the prints are reproduced on a Riso digital duplicator.

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    Also, check out the post from our last visit to Netil market a few weeks ago, where we met Paul and Niko, the founders of EOEL. You can also catch up with them at Netil Market in East London every Saturday until Christmas.

    Use the form below to enter our giveaway. A random winner will be selected and notified in 30 days. Good luck!

    EOEL x Future Positive

  • Naranjo Etxeberria Studio

    Naranjo Etxeberria Studio

    Miguel Naranjo and Diego Etxeberria are the founders of Spanish design studio Naranjo Etxeberria. Based in Madrid, Miguel and Diego work in different fields – ranging from art direction to branding – and are responsible for Cookbook, a magazine inviting a new artist in each issue to curate a selection of recommendations in music, literature, cinema and art.

    To find out more about this creative duo, we visited their studio in Madrid and asked them a few questions. Read their answers below the images.

    Photos by Iciar J. Carrasco

    www.naranjoetxeberria.com

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    Please tell us about your background. What did you guys do before Naranjo Etxeberria?

    Miguel: I was born in Madrid 30 year ago and studied graphic design at “Escuela de arte Nº 10”. I worked in different advertising agencies and design studios for over 7 years. Two years ago I started a personal editorial project called Cookbook Magazine, which won a Laus Award in 2013.

    Diego: I was born in San Sebastian 28 years ago. I studied Creative Advertising in Bilbao and worked in couple of advertising agencies in Madrid over the past 4 years. I’ve also published a magazine with some of my disposable camera pictures and have been involved in several photography exhibitions.

    How did you meet and what made you found your design studio?

    Diego: We meet in a Kebab takeaway. I was working in an advertising agency with Manu Ridocci and we meet with a friend of him to grab something to eat. That friend was Miguel. After that, he came to work with us in the same agency and we started working together on different projects. After working for 2 years in that place, we decided to start our own studio.

    We both have different visions that help us cover projects in a more global way – it is a mix between our past experience and what we want to do at the studio.

    Is it easy to run a creative business in Spain at the moment? What has been the hardest part?

    Miguel & Diego: It is never the perfect moment to run a creative business like this, but if you want to do it, the earlier you start with it, the better. We think that there are lots of thing to do, create and share currently in Spain… but we still have a lot to learn about being entrepreneurs. That’s our new job: learning how to sell our work and find new clients all the time. Having said that, we are very excited with this new beginning.

    You’ve worked with many clients and on many projects so far. Please tell us about a project that is special for you.

    Miguel & Diego: We are so lucky because since the first day, we have been able to work with amazing clients like Vincent Moon, Absolut Vodka, Nowness, Curador Magazine, La Vermutería, Good2b, Sobremesa taller, Cookbook Magazine…

    A special project would be “Cuadernos de su padre y de su madre” (Notebooks of their father and mother). It is a project made by us at the studio. We make handmade notebooks and each one is unique and different from the others. Nowadays everything is on the internet and everything is ephemeral. That’s why real things have more value and why we like to make objects, thing that you can touch and use.

    What does the future hold for Naranjo Etxeberria?

    The future is changing all the time. Last week we didn’t even know that  in less than a month, we were going to be teaching Visual Communication at IED . It is a new challenge because it is our first time, but we can’t wait to do it. Also, we are going to be teaching about naming and visual identity, a couple of thing we love to work on.

  • designjunction 2014

    designjunction 2014

    designjunction is a design trade show presenting the very best in product, lighting, furniture and graphic design from around the world. Every show is full of beautifully crafted objects featured against the stunning industrial backdrops of the The Old Sorting Office in London. It’s been said that designjunction has created the perfect balance between creative and commercial, “offering a much-needed alternative to the traditional trade show”.

    designjunction is also a great place to discover new design talent and up and coming labels. This year, multi-award winning designer Jim Rokos introduced a line of sculptural objects including bowls and vases and Rhian Malin presented a collection of tactile vessels created by inviting participants to gently squash a freshly thrown porcelain vessel to the shape of their hands, making each of them completely unique. Design studio Daniel Emma showed Mish Mash, their first chair handmade in Adelaide by a local craftsman and one of our favourites was new jewellery, prints, stationary and product design brand Tom Pigeon.

    Photos by Mónica R.Goya

    www.thedesignjunction.co.uk 

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