Author: Igor

  • Monochrome Lab

    Monochrome Lab

    Monochrome Lab is a new graphic design studio founded by Glasgow-based Dutch designer Bart Manders. After studying Graphic Design at the Willem de Kooning Academy in Rotterdam and an exchange year at Glasgow School of Art, Bart started working on numerous projects for galleries and festivals such as The Telfer Gallery, GoMA and Glasgow International Festival of Visual Art, and started Monochrome Lab in February 2015. We caught up with Bart to find out more about his studio, what made him choose graphic design as a career and the differences in design trends between Glasgow and the Netherlands.

    www.monochromelab.net

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    Please describe your path to becoming a graphic designer.

    I was born and raised in the Netherlands and from an early age it became clear that I had a creative mind. After high school I went on to do a college course in Communication and Design where the curriculum of the first 2 years consisted of all kinds of creative disciplines such as industrial design, graphic design, styling and photography. When I finished high school I was unsure about what kind of creative course I wanted to do so this particular course offered me the opportunity to put off the decision making for a few more years. I ended up graduating in Styling and Applied Spatial Design, which could be described as a mix of industrial design and (interior) architecture.

    When graduating, I realised my true passion was actually graphic design, and after a gap year, during which I researched Dutch art schools, I started a course in Graphic Design at the Willem de Kooning Academy in Rotterdam. I had a bit of a bumpy start, having trouble adapting to the course curriculum and thinking about transferring to the Fine Art department. Eventually though, I had a really good 3rd year which ended with a publication I had designed being nominated for a regional design award. During this year I had met a lot of people who were on exchange from various places, and as I had visited Glasgow for the first time the year before, I decided I wanted to do an exchange at the Glasgow School of Art, which I ended up doing in late 2008.

    After my exchange I did two internships, which are mandatory in most Dutch art schools; one with a magazine designer who had been my tutor during my second year and one with two designers who I had become friends with, that were running a joint independent online design project called Connected Project. I had a somewhat troublesome, yet positively minded graduation period and after a few months of thinking about what I wanted to do next I decided to move to Glasgow as I had been wanting to spend more time there since my exchange. I still had quite a few contacts in Glasgow and only 2 months after my move there I got offered my first project which was an exhibition poster for a local artist collective called The Mutual, after which I ended up doing 2 more poster projects for them.

    In the summer of 2011 I met Marc Cairns, an architectural designer, at an exhibition opening by The Mutual and in 2011 I was invited to join him and a few other people to run a new exhibition space called the Telfer Gallery as a committee, for which I’ve been doing the in-house graphic design as well as filling the shared role of programme coordinator. The Telfer Gallery has so far brought me the most consistency in my design career as well as some other projects I did for organisations such as GoMA and projects related to GI, the Glasgow International Festival of Visual Art, things I would have never been involved in if it hadn’t been for The Telfer Gallery.

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    What made you start your own design studio?

    In April 2014 I had sacrificed a stable income from a rather uninteresting retail job to free myself up for doing more freelance work. By the time it was Christmas, I had done projects for Glasgow University Magazine, an exhibition for Glasgow Open House Art Festival, a vinyl sleeve design for a local band and 2 projects for Wasps Studios. I had just started redeveloping The Telfer Gallery’s visual identity for its 2015 programme and I felt I needed to come across as a somewhat more settled designer instead of that designer who’s out and about doing jobs here and there. That’s when I decided to start working under a studio name, and after preparing for it for two months I launched Monochrome Lab last February.

    You’re from the Netherlands but live in Glasgow. Do you see any differences in design trends and aesthetics between these two places?

    Definitely, but I have to say that especially in the Netherlands it’s hard to define design trends. The very basis of good graphic design is to be able to organise and (re)structure information, to communicate. In the Netherlands I guess there isn’t a specific visual style, but more a way of thinking. It’s a place where the visual basics of graphic design are so established and common that on top of that graphic designers have become much more conceptual, finding intelligent ways to connect information to a certain context and experiment with images. In Glasgow I feel many design studios have only just started mastering the very basics over the past few years.

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    What inspires your work? What other designers do you admire?

    I’m mainly inspired by designs with an innovative way of applying typography and white space, but I’m also very fond of really primary things like geometric shapes and illustrators. In art school I admired well respected designers such as Wim Crouwel, Experimental Jetset and Karel Martens but nowadays it has shifted more towards less known Rotterdam-based designers like Almost Modern and my old classmates at OONA.

    What are your plans with Monochrome Lab for the upcoming months?

    Well, I’ve just landed a long-term visual identity project with the Scottish Sculpture Workshop in Lumsden, Aberdeenshire and I’ve also just started a new collaboration with Wasps Studios which involves designing signage for a travelling project space. There is also a considerable Telfer Gallery workload as the size of it has slightly increased due to the higher standards for its printed materials this year. This year I’m also hoping to get involved in some publication design again, either as a self initiated project or as a freelance job. But as many independent designers can testify, one’s workload can unexpectedly increase as projects aren’t usually planned very far ahead.

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  • Bleu de Chauffe x Calepino

    Bleu de Chauffe x Calepino

    We recently talked talked about leather accessories label Bleu de Chauffe and their collaboration with brush manufacturer Andrée Jardin. The French brand has now teamed up with one of our favourite notebook manufacturers, Calepino, to create Portfolio, a set of 3 memo notebooks protected by a tanned vegetable leather cover.

    Both companies are passionate about good design and craftsmanship, so it isn’t a surprise that the final result is a beautiful, classic product made by artisans in the brands’ workshops. The Portfolio soft cover is a reinterpretation of the cardboard elasticated flap folders, and the colour of the different elastic bands refers to the colour code of the Calepino notebooks: red for ruled paper, green for graph paper, blue for plain paper and grey for dot grip paper. We received our own Portfolio just a few days ago and it has become the best companion to take notes about inspiration and future features on our website.

    The collaboration between Bleu de Chauffe and Calepino is now available online on:

    www.bleu-de-chauffe.com

    www.calepino.fr


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  • Graphic Design: Getting Started

    If you’ve always loved visual art, and you’re looking to start a career that will pay you to do something you love, then you may be attracted to the idea of being a graphic designer. If it’s simply not practical to go back into full-time education, you may be wondering if there’s any way you can get started in graphic design. Here’s some news for you – you don’t need to sit in a classroom for a second to become a competent graphic designer! The following is a list of some of the best advice anyone can give to an aspiring designer…

    Get your Creative Juices Flowing

    From Wikimedia

    If you’re dead set on pursuing graphic design, then the first thing you have to focus on is stimulating your creativity. Having some kind of background in art definitely helps, but it’s not essential. While you can do anything you set your mind to, true excellence in design certainly isn’t for everybody. You need to have at least a little creativity in your mindset, and a pretty extensive knowledge of art in general, the techniques that go into it, what works together and what doesn’t. If you’re just looking for a career path that will give you a decent paycheque, then graphic design probably isn’t the best thing to pursue.

    Get the Right Tools

    While there are ways to give yourself a decent foundation without spending a penny, if you’re serious about graphic design, you’ll eventually need to buy Photoshop. I’m not talking about the cheapskate alternatives like Elements here. I mean the real, fully-featured CS ones. If you’re still not quite sure whether or not graphic design is for you, then you may want to play around with more accessible magazine cover design or photo editing software. Ultimately, however, you’re going to need to get familiar with the standardized tools of the trade. The version you start with is largely up to you. Many designers will want to make sure they’re keeping up with the market, and will always buy the latest and greatest versions of software. However, more dated versions often contain all the tools and functions that you need to get a great start. Just make sure you do your research and weigh up the different features of the programs that are within your budget.

    Buy a Tablet

    Talk to most modern graphic designers, and they’ll tell you they can’t remember how they carried on before tablets came out. This young technology is the modern designer’s best friend, and you should have one to use when (not if) you need it. No matter how satisfied you are with using a computer now, there’s going to come a time where you’ll want a tablet, which will make things more free-flowing and flexible. There are a wide range of tablets out there designed specifically for graphic design. Just like the editing software you’ll use, you can generally get by fine with a mid-range model.

    Mac or PC?

    Of course, you’re also going to need a computer to start developing your graphic design skills. You probably have a computer already that does a fair job of accommodating all the functions you need. However, when you start to carve out a more definite career path, you’ll need to invest in a computer and monitor that’s better suited to graphic design. There’s nothing worse than a system that takes far too long to respond, and any designer will tell you that photoshop can really eat up your computer’s available space and resources. When it comes to the decision of getting a Mac or a PC, it’s really down to your personal preference. Macs seem to be more common in the graphic design field, but in terms of function, there’s very little measurable difference. Weigh up the differences in the interface, make sure you have enough RAM and processing power, and make your decision based on what feels right.

    Stockpile your Fonts

    From Flickr

    When you’re ready to actually to sit down and start designing, you’re going to want to have a number of fonts to hand. Luckily, fonts are more accessible than they’ve ever been. There are many websites that will allow you to download a range of fonts for free or very little cost, and start using them instantly in Photoshop. As you start stocking up on fonts, just make sure that you’re sticking to the license terms, which will vary from font to font.

    Practice Makes Perfect!

    Just like pretty much anything, the best way to develop your skills with photoshop is to start using it. Open up a new document and test out all the tools you have with your version. Look up some YouTube tutorials, and follow them through. Import a photo of your friend and try to add a few funny effects to it. The main tip I can offer here is don’t be lazy! It takes hours upon hours of work to get comfortable enough with Photoshop to use all of its functions without needing to look up any information online. You’ll need a lot of patience and persistence to get to the point where you’re as competent as your average graphic designer.

    Find your Niche

    As you carry on using Photoshop and trying out different things, you’ll naturally begin to develop your own unique style. This is going to be a major selling point as you pursue a career in design. Right now, you may be struggling to even copy the things you’ve seen other graphic designers do. Just keep getting out of your comfort zone, trying new approaches to old problems, and honing your existing skills. Your own style will come naturally, but if you want to speed things up, try looking at the work of a few designers you admire, learning how to imitate their techniques, and finding a way to combine those different styles. Drawing on inspiration like this is a great way to figure out the little tweaks and quirks you can apply to your original work that will distinguish you from other designers.

     

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  • 5 reasons to go camping this summer

    What will you be doing with your friends and families in the summer? Don’t you think it will be a good idea to make plans for camping this summer? Summer is a good season for camping. 

    However, some people haven’t considered camping with families because they don’t realize it can be so much fun. The beauty of the outdoors can’t be felt in your home; instead, seeing nature itself and other things around you.

    There are some benefits of camping during summer. Therefore, when it’s time for summer, you should explore. Read on!

    Why You Should Go Camping This Summer

    There are so many reasons why you should go camping this summer. For instance, it allows you to explore the world’s natural habitats. Here are a few reasons:

    To Enjoy Nature

    Sometimes you need to appreciate nature. There is no beautiful time to enjoy nature besides camping, especially in summer. It takes you to another dimension of the world by enjoying what the world has to offer, like wildlife, different flowers and trees, oceans, and so on. Imagine waking up in the morning with bird sounds or being surrounded by water. Isn’t that cool and wonderful?


    Image via Unsplash

    Time For Family And Friends

    Summer is a great time to spend with your loved ones. So camping is the best idea for summer for families and friends. You can find any playground to have fun.

    It is very good to camp in summer. There is no way you won’t enjoy having people around you play outdoor games, connect with nature, and do other activities. This helps to build and strengthen the family bond and friendship.

    That’s especially true of certain places where you can go camping, like Baywood RV Park. Many of these could offer amenities specifically for families, making them great to spend time in.

    Fresh Air

    Fresh air is another important reason for you to camp in summer. When you go camping during summer, the outdoor scents are different. Fresh air dramatically benefits your body by boosting your mood, lowering your heart rate, cleansing the lungs, and so on. So it is necessary to camp to get enough fresh air.

    Supports Healthy Living

    Camping supports healthy living. In other words, it encourages physical and mental activities. Usually, when people go camping, there are different activities to partake in, like swimming competitions, soccer games, puzzles, etc. It helps socialize with people, build self-esteem, healthy eating, manage weight, and most importantly, reduces stress. 

    Educational Activities 

    Camping is another form of learning. You learn new things like hiking, fishing, safety, cooking, knot tying, and many other activities. You cannot go camping and not learn any of these. All you have to do is to open your mind to enjoy these experiences.

    Conclusion 

    There are so many reasons to go camping in summer, but these reasons listed above are what we need. You may not appreciate nature or see the need to explore while staying home. Camping provides some benefits that you may not be able to find anywhere else. Finally, take friends to your next camping holiday at the beach.

  • ODOU Magazine

    ODOU Magazine

    ODOU is a bi-annual magazine exploring smell and perfume through themes of science, art, design, memory and photography. Founded by web and digital designer Liam Moore in 2013, three issues of ODOU have been published so far and a fourth is on its way, backed by a currently running Kickstarter campaign to make the magazine reach even more people.

    We caught up with Liam to find out more about his background, passion for perfume and the evolution of ODOU.

    www.odoumag.com

    Please tell us a little about your background and how you got interested in perfume.

    Every Saturday in my early teens my mum and I would visit my aunt at her work. She worked at the beauty counter of a chemists and occasionally she’d give me the sample bottles of fragrance telling me, “Wear that and you’ll smell the best in your class,” Or sometimes, “Wear that and the girls will like you,” I remember feeling really special as it felt grown-up to wear fragrance or aftershave. Though what others thought didn’t really enter my mind.

    At university I studied Interactive Multimedia Design and worked part-time in Lush (the soap shop). It became very natural to get into the smell of the products and we were trained about the ingredients that go into the products too. Why is grapefruit essential oil in that shower gel and what benefits does it have? Who decided that? How is the oil extracted and by whom? It was sort of like Alice in Wonderland thereafter, tumbling down the rabbit hole full of really interesting things to learn. I was also advised at the time to read the novel Perfume by Patrick Suskind. It was like opening up the doors to something fascinating minus the grim parts of the book!

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    What made you start ODOU magazine?

    ODOU came about through a number of reasons. A couple of years ago I was in a book shop and wanted to read a magazine about smell and perfume and realised there wasn’t one. I thought it would be worth a shot at trying myself, especially the kind of magazine I would like to read. Being a digital designer means embracing the transience of digital output; work is sometimes never finished – there’s always scope for updating/amending/fiddling after. I did some print work in the past and loved its permanence; once it’s printed, that’s it. It’s like a juxtaposition with perfume, that a permanent printed magazine would talk about the transience of smell and perfume and that appealed to me. On a personal level, a few years ago I developed OCD; it was an enormous setback that I found hard to cope with. In time I got through the worst of it, but I’m still living with it. It was a happy coincidence that starting the magazine gave me a focus and it helps me a great deal.

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    How do you come up with the topics for each issue? How do you source your contributors equally passionate about perfume?

    Issue four, which is on Kickstarter, is the first “perfume issue” in that, it looks at perfume through a chronological narrative; the raw materials that go into a fragrance, a look at a perfume school, perfumer’s inspiration, creation, marketing, release and reception. It’s the most exciting issue I’ve done yet because it’s the one I’ve been more hands on with. Previously, I’ve asked contributors to go with their instincts or guide them loosely to gain a structure within each issue. Issue three was something of a “story and interview” issue, it was exploratory. And issue one had a feel of “summer” to it.

    Whilst I wouldn’t say I curated each and every article, putting the right articles into each issue requires consideration. I ensure that it speaks to the perfume-lover and perfume-lay-person in equal measure. I’ve never identified with the beauty industry at large either, so ODOU is intentionally meant to be more personal, reflective and intimate even. Though there are articles and features about perfume, it’s more about smell in general and the surrounding discourse. It’s important to see both sides of the coin; there’s nothing wrong with celebrity scents for example, just bad scents. Gender does exist in fragrance marketing and we’re skewed to think of it in a certain way. “I Love Natural Chemicals”, an article in issue two by Pia Long, is essential reading for anyone. It debunks the “natural vs synthetic” debate that is rife in the fragrance industry – the air we breathe is a chemical yet we’re led to be believe “chemicals” are harsh! It was a huge eye opener for me because it kind of turned on my brain and got it thinking about other perfume topics.

    I’ve been lucky that there are people who get in touch through Twitter or the website and express an interest in contributing a story or series of work. There are some regular names that pop up in each issue so you could say there is a small ODOU team.

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    How do you see the magazine evolve in the future? Are you planning to develop your own perfume?

    It’s important to let things happen as and when they do. I tested the waters with the first three issues and always did a little bit at a time without getting too in over my head. In saying that, I would like the magazine to grow into the kind of magazine you’d want to keep alongside your favourite books, and perhaps become a go-to source for perfume education; something that would inform and inspire as well as a kind of cosy-up read at the same time.

    I’ve spent a while now being interested in perfume and learning perfumery isn’t a challenge I’d shy away from. The opportunity to learn from a master would be really exciting but something I don’t think will happen any day soon. I know some perfumers and they’ve spent years perfecting their skill and would say that it is on-going, life-long learning.

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    What other magazines do you enjoy reading?

    I really like Hello Mr. as it feels “real”. It’s real, normal, men sharing some of their intimate thoughts and emotions; it’s relatable. Importantly too, sometimes it’s flippant; it’s deep and lighthearted in good balance. I really enjoy reading Popshot Magazine, it too has a relatable feel to it even if the content is fictional. I like the stand-alone aspect to it a lot; that every story doesn’t have to be typical or traditional either.

    What’s your favourite smell and perfume?

    I always find the smell of Chinese food to be comforting. Anytime I catch a whiff of garlic in oil, and that greasy, mouthwatering smell, I’m reminded of my home town in Northern Ireland where the weekends used to smell of it in summer – like the air was full of buzz and excitement with all the people going out. As for perfume… It would have to be Breath of God from Gorilla Perfume/Lush; the first fragrance I truly fell for. I’ve worn it to so many different places, worn it in the company of so many people at so many times, I feel it’s become “my perfume” for want of a better phrase.