Tag: photography

  • Lockdown Stories: Stephanie De Smet

    Lockdown Stories: Stephanie De Smet

    Lockdown Stories is a series of short interviews with creative entrepreneurs and businesses that have been affected by the COVID-19 crisis. Since its beginnings, the main goal of Future Positive has been to share inspiring projects happening all around the world and, during these strange and difficult times for independent businesses and creators, we want to continue providing support and visibility. If you’d like to be featured in this series, please get in touch at hello@thefuturepositive.com and tell us your story.

    Stephanie De Smet
    Photographer and founder of Collect, a creative platform that inspires, creates and collects makers and their interests.
    Location: Antwerp, Belgium
    www.stephaniedesmet.com

    When did the lockdown start for you and how has your business been affected?

    As a photographer, I did notice the lockdown quit early. By the end of February clients started to postpone the upcoming photoshoots. We all thought it would be over fast, as the Belgian government decided to keep on the the lockdown until the 6th of April. I guess there was a bit of unbelief, as things looked far away. After 2 weeks, we started to realize that it would take much longer, and so jobs got cancelled. There are no perspectives at the moment, which makes the future uncertain.

    Have you found any new ways of working or have come up with new product ideas during this time?

    In the beginning I started to scan old negatives, and had a blast bringing up those memories. I recently made a small shop on my website with prints and postcards. Something I wanted to do for a long time, so a good timing for that. I mostly work analog, but this process is not that convenient at the moment, as my development studio is closed.

    I’m making portraits right now, at peoples front doors. Something different then I’m used to but a nice experience.
    This way I meet a lot of other creative freelancers that are also in the same situation.

    What are some of the positive takeaways you have experienced during this time?

    Nature is blooming. I grew up at the countryside and live now near the city center of Antwerp. For the first time in 8 years, it’s silent on the street and can hear birds sing all day. I can stand still more easily by a beautiful shadow or a blossomed three. Empty streets and the silence may stay for me after the lockdown, but that won’t be an option I guess. I do hope the cultural sector will boost again, and that people will appreciate it even more.

    How do you see your business evolving over the next few months?

    I don’t have any idea when things will go back to normal. The future is uncertain, and I live day by day at the moment. The lockdown gives space and time to work on my own projects but the craving to commissioned shoots is coming closer. I expect that I will work again on a regular base after summer. Every year new exciting projects come up, so I hope 2020 will be even more creative!

  • Prints for Refugees

    Prints for Refugees

    Photographer Mark Sherratt is behind Prints for Refugees, a project showcasing and selling art donated by photographers to support the work of Doctors of the World so that they can continue to provide medical aid to vulnerable refugees. We chatted with Mark about how the project started, the photographers involved and his future plans.

    www.printsforrefugees.com

    Can you introduce yourself and tell us about what made you start Prints for Refugees?

    I’m Mark Sherratt, I’m a freelance advertising and editorial photographer, I live in London with my wife Hayley and my one month old son Sydney. I initially started Prints for Refugees a couple of years ago during the time that the refugee crisis was in the news much more. After seeing some terrible news stories I felt like I wanted to try to do something to help if I could. I remember sitting at home one Sunday morning reading some things in the paper and this idea popped into my heard. I then emailed a few photographer friends to see if it’s something they would be interested in getting involved in and got a very positive reaction so it all grew from there. Since then we have sold over £20,000 worth of prints from lots of different photographers with all the money going directly to Doctors of the World who are doing amazing work with refugees both in the UK and across Europe.

    I feel like the news cycles have moved on since I first started this project and their isn’t the same public outcry about it all, which is understandable. But unfortunately, the situation for many people is just as desperate and the help is still greatly needed. That’s why I felt like I wanted to reinvigorate the project and once again the response from photographers has been fantastic, with people readily agreeing to donate prints.

    Mark Sherratt portrait

    Why did you decide to focus on photographers and not other type of artists? What was the general response when approached about the project?

    I decided to to focus on photography simply because I am a photographer and a part of that world. I know lots of great photographers either personally or know of their work so it was easy to decide who to contact about possible print donations. I can also feel confident that we can offer some really great art works from interesting artists that will be a good investment for the buyer.

    Having said that, I would love to be able to start something similar for other types of artists. But I feel I would need to work with someone who knows that world better than I do. I am actually in very early talks with someone about this, but we will see how things go.

    I’ve had a wonderful response from photographers. It’s been great how excited people have been about the project and how happy they have been to get involved and offer their work and their time for free. I have also had plenty of other photographers contact me after hearing about the project, offering to donate work. Unfortunately, we can’t always accept everything that’s offered but it’s great that people are so willing to donate. The whole project has restored my faith in humanity.

    Print by David Ryle

    Please tell us about a little about some of the photographers involved and the prints they’ve contributed to the project.

    We have some fantastic photographers involved in the project. All of them have been specifically chosen as I believe they do really interesting and innovative work. I’m happy to say we have a good variety of photographers on the site, from new up and coming talent to much more established artists.

    It’s hard to single anyone out as I love all the work we have, but it’s certainly worth checking out the prints we have by Will Hartley who is fairly young photographer, but making some big waves at the moment. He’s doing some great work and I think it’s a good opportunity to pick up a print by him. We also have work by Peter Dench who is a big name in UK photography, his work has been exhibited all over the place and has made a number of books. I love the humour in his photographs and am pleased that he has decided to donate to us.

    Print by Samuel Hicks

    Can you tell us more about Doctors of the World and their work?

    Doctors of the World are a fantastic charity. They are working both in the UK and abroad to empower excluded people to access healthcare. They have a clinic in London that allows undocumented migrants and refugees to see a doctor, they also offer advocacy work to help defend migrants rights to health access in Britain.

    They are working in the refugee camps in Greece providing much needed psychological help to desperate people who have lost their homes and at the moment seem pretty much abandoned by the rest of the world! They are also working in Bulgaria with unaccompanied child refugees who are often the victims of forced labour or sexual exploitation, providing translators, social workers, medical kits and warm clothing. Also, in Ukraine they are woking on both sides of the conflict providing much needed primary medical care to villages near the contact line.

    Print by Andrew Urwin

    How do you see Prints for Refugees evolving? Do you have any plans for the upcoming months?

    I’m really excited about the plans we have for Prints for Refugees. Of course, we have some really great new photographers lined up to release some prints, which is going to happen before Christmas, so make sure you save some Christmas present money! But we have lots of other plans too. I want to make Prints for Refugees a hub for interesting innovative photography. So it’s not only a place where you can buy an amazing piece of art for your wall, but it’s also somewhere you can come to see what new in UK photography. There are various ways I want to do this, including interviews with photographers, social media takeovers, guest curators etc etc. All this work is done in mine and my fellow PFR worker Nick’s spare time though, so we will see how we get on!

    One other thing I do want to mention though is that we are going to be offering some secret prints that only people on subscribed to our newsletter will be able to access. So make sure you sign up! You can do that here – www.printsforrefugees.com/contact

  • Contributor Profile: Joke De Wilde

    Contributor Profile: Joke De Wilde

    Joke De Wilde is a Belgian photographer currently living and working in Antwerp. Joke has collaborated with us twice, documenting the studios and work of textile designer Hermine Van Dijck and multi-disciplinary team Going East. She also helped us find nice businesses and places for our Antwerp City Guide.

    Read our interview with Joke below this selection of images from her work.

    www.jokedewilde.com

    Future-Positive-Joke-De-Wilde-1 Future-Positive-Joke-De-Wilde-3 Future-Positive-Joke-De-Wilde-2 Future-Positive-Joke-De-Wilde-4

    How did you become interested in photography?

    This is a really difficult question! It’s not that photography is some kind of calling, it’s more about wanting to pause life sometimes. I want it to stand still and enjoy every detail of it. That’s what I’m able to do with photography. Especially the gestures and body language people use from the moment they stand in front of a camera. I guess it’s something I’ll never get tired of.

    You work across different photography fields. Do you have a favourite?

    Portraiture is definitely my favorite. I love, as I said before, to photograph people especially non-models – they use their bodies in a different way. The small details, like hands and eyes, are the most interesting. I always use an analogue camera, it pushes me to look at things into more detail – I know how daylight is going to react on film and I love the colors. I hope this makes my work come together as one.

    What are your main inspirations?

    Body language, memories, childhood, nature and my home.

    You live in Antwerp, how does the city influence your work?

    It influences me in many different ways. I love living in Antwerp and I try to look at the city in different ways over and over again. I don’t understand when people say they get tired of their hometowns. The nicest moments are those where we find new inspiring places and people in a city where we have lived for 10 year. Living here gives me the feeling of safety and, at the same time, it pushes me to go out there and explore – this is the perfect combination to get inspired and be creative.

    Are you working on any photography project at the moment?

    Not anything in particular, mainly images trying to capture every moment of my life at this point. Becoming a little family this winter was very inspiring and eye opening. Sometimes the most beautiful images are standing just in front of us, and these are the ones I’m looking for right now.

     

  • If You Leave Magazine

    If You Leave Magazine

    If You Leave is an online photography gallery started in 2009 by London-based Laurence Von Thomas, with more than 500 contemporary photographers featured and 4 books published in the past few years. We recently talked about If You Leave showcase, the photography exhibition that If You Leave organised in London in October 2014, which coincided with the release of the project’s first issue of its bi-annual magazine.

    If You Leave #01 doubles as a show catalogue for the showcase and includes 10 prints by the artists featured in the exhibition. The magazine’s first issue is beautifully designed, with a hard cover containing a folder with the prints and the magazine itself printed in 100gsm recycled paper. The magazine is supported by the app that If You Leave created for the exhibition, allowing the reader to access interactive content on some of its pages.

    With a focus on online photography and how photographers use online platforms, the first issue features selection of photographs taken from Instagram and Tumblr profiles and conversations on Facebook between If You Leave‘s editor Laurence Von Thomas and photographers Clemens Fantur and Luke Byrne. If You Leave #01 also dedicates some of its pages to photo books, including a selection of independent publications curated by London-based distributor and publisher Antenne Books.

    www.if-you-leave.tumblr.com

    Future-Positive-If-You-Leave-1 Future-Positive-If-You-Leave-2 Future-Positive-If-You-Leave-3 Future-Positive-If-You-Leave-4

     

  • Contributor Profile: Silvia Conde

    Contributor Profile: Silvia Conde

    Meet Silvia Conde, a photographer and art director from Barcelona currently living and working in Berlin. Silvia has collaborated with us twice, documenting Spanish businesses About Arianne and Après Ski for our Projects section.

    Read our interview with Silvia after the images.

    www.silviaconde.com

    Future-Positive-Silvia-Conde-4 Future-Positive-Silvia-Conde-5 Future-Positive-Silvia-Conde-1 Future-Positive-Silvia-Conde-6 Future-Positive-Silvia-Conde-2 Future-Positive-Silvia-Conde-3

    How did you get interested in photography and art direction?

    A few years ago I studied Advertising in Barcelona. We had a great offer of subjects related to image, graphic design and video. Art Direction was a field I learned thoroughly during the four years of the degree. Photography was certainly basic. Still, it was significantly revealing for me, because it was my first contact with this art.

    What made you move to Berlin? How does the city inspire your work?

    A friend of mine was considering moving here for a while. I dreamed of London, but that option was overpriced. In her idea, instead, I perceived an opportunity to get to know another language and culture. I had never been here before, in fact I couldn’t speak a word of German. Despite that, it felt like the best choice. And when I look back, I don’t regret it at all.

    For someone coming from Barcelona, Berlin can be different in every way. Not only because of its weather, but also the streets, the buildings, the people… This city has another mood. I’m sure it has inspired my work. Maybe not directly, but in a subtle way. A year ago I got accepted in a photography school and that has clearly been a huge input.

    What other things do you draw inspiration from?

    Mostly people, magazines and the internet.

    Please tell us about some of your favourite projects you’ve worked on.

    Personal projects are the ones that truly fulfil me. Soft Skin was the first of them and probably still my favourite one.

    Are you working on any new project at the moment?

    Many, specially since I recently began to freelance full-time. There are some inspiring shootings coming soon, both in Berlin and Barcelona. Let’s see… I’m also very excited about a new Tumblr I created called impressionsdujour.

    What are your future plans?

    Keep on learning every day and continue working hard.