Tag: london

  • Green Rooms Hotel

    Green Rooms Hotel

    Considered the UK’s first arts hotel and social enterprise, Green Rooms is designed to attract artists visiting and working in London. The hotel opened its doors in Spring 2016 and has already positioned itself as a creativity hub, working with local communities and artists on exhibitions, performances and events all happening at Green Rooms. We visited Green Rooms and stayed one night to experience what this new hotel concept has to offer.

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    Located in North London, just opposite from Wood Green underground station, the hotel is just 15 min away from King’s Cross on the Picadilly Line which makes it really easy to get to the city centre. The beautiful art deco building was constructed in 1925 for The North Metropolitan Power and Electricity Company and has been restored by London architects SODA, with interiors created by fashion brand Folk.

    The idea behind Green Rooms is to engage with local and visiting artists, offering affordable rates – everyone is welcome at Green Rooms but you get a discount if you’re an artist or work in the creative industries. You can also choose a room type that best fits your budget: dormitory rooms and standard rooms with shared bathroom facilities or en-suite rooms (where we stayed) and studio apartments designed for extended stays.

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    Whilst at most hotels you just want to spend time in your room and avoid the lobby, Greem Room’s ground floor is welcoming and buzzing with guests and local creatives. An open space, nicely decorated, that houses the hotel’s reception, bar and restaurant and also serves as exhibition space for local artists. The hotel’s top floor is a multi-purpose space, which can be used as a gallery or for rehearsals, screenings and other private events.

    The restaurant is an incubator project running rent-free 6-month residencies for emerging chefs that haven’t had experience running a restaurant before, offering also mentorship and a way to develop their own brand during their time at Green Rooms. A great and unique initiative that is currently helping the hotel’s first chef in residence, Esteban Arboleda from Colombian Street Kitchen. Esteban is on a mission to pioneer Colombian Street food as a mainstream cuisine in the UK and after having a delicious dinner with different dishes to share, we have no doubt that he will succeed.

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    To find out more about what makes Green Rooms different to any other hotel you might have been to, we chatted with Nick Wright, founder of Green Rooms, and Cathal McAteer, founder of Folk.

    www.greenrooms.london

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    Could you  tell us about how the concept for creating the UK’s first hotel social enterprise came about?

    Nick: The concept for Green Rooms was something I’d been playing around with for a long time. The challenge was finding the right site. London is a brilliant city – arguably the best in the world – and a real cultural hub. But it’s also very expensive. There was a real gap in the market for a genuinely affordable, design-led hotel that encourages and fosters collaboration among guests. A lot of people who work in the arts don’t have much disposable income and can’t afford to spend £250 a night on a hotel room when they come to London. But by the same token they don’t want to stay in anodyne, formulaic budget hotels either. The sharing economy is obviously another option, and it’s a great model, but when you rent a room in someone else’s flat – no matter how beautiful it might be – you’re immediately isolating yourself.

    Could you tell us about the different ways in which the local community can engage with Green Rooms?

    Nick: We’re benefiting and engaging with the local community in lots of ways. The hotel has provided numerous job opportunities for local people fort starters, and Wood Green residents are using the communal spaces at the hotel – particularly the bar and restaurant. There wasn’t really a hang out like it before we opened. People are also also enjoying the performances, events, exhibitions and screenings that are being put on. We recently ran a month-long street art exhibition by the Turnpike Art Group that went down a treat, and moving forward we’ll be hosting a new exhibition every month. And there’s loads of other stuff too. Just last Saturday we had Bandante play in the top floor gallery space – they’re the new band from George Vjestica (ex-guitarist with Nick Cave and the Bad Seeds).

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    British clothing brand Folk has designed some of the hotel rooms, how did this collaboration happen?

    Cathal: Nick and I have been mates for ages. He explained the vision and then we went on site a few times and did a walk through. With such a wonderful building and the vision laid down, it was easy from there. For us the furniture has always come as something that is needed to solve an issue. Shelves because we needed shelves in our stores, a chair because we needed a chair for the Flushing Meadows Hotel. So it’s a range that’s grown out of necessity really. Some of these pieces grow into other products with the same design strain. For Green Rooms it was all about keeping things clean. Nice lines, sparse and simple. And everything had to be in harmony with the wider holistic vision for the project. Green Rooms is great for us because it means we can show the homewares products in situ. It makes more sense looking at one of our chains in a hotel room than it does in one of the shops.

    We love the concept of the chef residency at the hotel’s restaurant, what are some of the characteristics you’re looking for when considering a chef to be part of Green Rooms?

    Nick: There are a number of things. First off they’ve got to be good and cook amazing food! And then they have to be at a certain stage in their evolution. The whole project is about giving burgeoning restaurateurs a chance to run their own restaurant but we can’t take people who have just been cooking at home in their kitchens. They need to be a bit further on. Ideally they’ll have done pop ups, maybe had a successfully food truck, that type of thing. They also need to buy into the overall vision – that’s really important. We’re nice people, we’re trying to affect change in a positive way with Green Rooms. We’re not rapacious guys who are hung up on making money. Of course we want to be profitable, and we are, but there’s a way of going about things.

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    Could you tell us about what exhibitions and events guests and visitors can enjoy at Green Rooms in the upcoming months?

    Nick: There’s loads going on in the next few months – it’s a veritable artistic feast. On November 12 we had the incredible ’12 Ensemble’ in for a performance. They’re London’s ‘Un-conducted string orchestra’ and do brilliant and accessible classical music pieces. Later that week we’ve got a life drawing class happening (November 17), then we’ve got a New Variety Lives! comedy show, we’ve got R-FT doing an artist-in-residence programme and we’ve got an exhibition from artist Sonia Pang. And this isn’t event the half of it!

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  • Radio Cascabel Walk & Listen

    Radio Cascabel Walk & Listen

    We recently talked about Radio Cascabel, a musical and visual project run by Estefi Panizza and Diego Jalfen, curating the most exciting Latin American sounds. Radio Cascabel are presenting their first Walk & Listen event in London in partnership with Flau Records and with artist Ulises Conti – one of Argentina’s most exciting young composers.

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    Image by Otero Galería

    Walk and Listen is a silent group walk through the city, the aim of which is to focus concentration on listening to the sounds that surround us. Ulises says: “This project came about as a result of my interest in sound and how through sound we relate to each other in all aspects of life. We could start our sound search by leaving behind all kinds of prejudices, considering all sounds as potential musical material, listening to sonorities that we have never before listened to attentively.”

    After two successful events in Bremen, Germany and Buenos Aires, Argentina, this free event will take place in London on June 2nd. You can find more information in the flyer below and on Radio Cascabel’s website:

    www.radiocascabel.com

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  • A R Ceramics

    A R Ceramics

    A R Ceramics was founded by Andrea Roman, a Mexican product designer currently based in East London. Andrea’s pieces are hand thrown over the wheel and then trimmed, fired, glazed and fired again. We chatted with Andrea to find out more about what attracted her to ceramics, sources of inspiration and her ceramics subscription service The Breakfast Club.

    Studio images by Sabrina Dallot Seguro
    www.arceramics.co.uk

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    Could you please tell us a little bit about yourself and your background?

    I’m Mexican and I’ve lived in London since 2013. I studied Product Design specialising in Ceramics. When I arrived in London I found an amazing shared member studio called Turning Earth, there I learnt how to throw on the potters wheel and started experimenting with local clays and shapes.

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    What attracted you to ceramics?

    The ability to create something functional and durable in a short period of time and all the possibilities clay involves. I just find hand made objects much more meaningful, we live in the era of mass consumption and mass disposal, I think creating these meaningful objects help people to treasure their daily-use products for a longer time.

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    Where do you draw inspiration from to create your pieces?

    I like to play with textures, I love when my pieces become a resemblance of their ‘muddy’ origin: sand, rocks, dirt and mud.

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    Please tell us about The Breakfast Club Membership.

    I came up with this idea to offer people a more affordable way to get a hand-thrown table set. I consider it’s important to take the time to enjoy small details from everyday life and breakfast is one of those moments that people tend to skip or rush. I hope the set from The Breakfast Club inspires people to take it slow and share this moment with the ones they love, using these pieces on a daily basis, becoming part of their daily rituals.

    Sometimes ceramics can become really introspective and in a way it is a job that isolates you, so for the second edition of The Breakfast Club I decided to invite a very talented designer working in the same studio as I do, Grace McCarthy, to do a sort of collaboration and include her beautiful hand-thrown plates to the Breakfast Club collection. So far, it’s been definitely much more fun to work as a team.

    The entire table set consists of 16 pieces: 4 tumblers, 4 cups, 4 bowls and 4 flat plates. You pay £84 each month during a 4 month period. I plan to do it once every year, this year was the second edition actually. Each year there are only 6 memberships available, so in a sort of way it becomes a very special way of purchasing something and creating a close relationship between maker and customer.

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    What other projects are you working on at the moment?

    Small commissions for wedding presents, throwing new pieces for my stockists, and on a very exciting project. I’ve been commissioned to develop a dinner set for 12 people that bends into an architectural residence project in Whistler, Canada. The project is fascinating, the site had a big rock in it, instead of destroying the rock to start building the house, the architects decided to leave the rock and develop the design around it, making the rock the main appeal. I’m now in the process of developing the correct clay shades and textures for this project and I’ll start soon the next stage which will be the developing of shapes. Can’t wait!

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  • Radio Cascabel

    Radio Cascabel

    Radio Cascabel is a musical and visual project started by Argentines Estefi Panizza and Diego Jalfen. Curating the most exciting Latin American sounds, Radio Cascabel offers playlists, sound design, live DJ sets and other musical and visual services. We talked to its two founders to find out more about how this project started, their recent move to London and the Latin American bands we should be listening to right now.

    www.radiocascabel.com

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    How did you meet and how did Radio Cascabel start?

    We met on a night out when we both went to see a cool DJ play at a bar in Buenos Aires. It was love at first sight 🙂

    Diego worked for a big radio station in Buenos Aires and in advertisement. I, Stefi, was working as a psychologist and was also starting to show my work as a photographer.

    Spring of 2013 marks an inflection point for us. The idea and concept behind Cascabel was born when we were living in Barcelona. We were at a party and we took a microphone which was on the stage, and started dancing and singing over the music. Everyone at the party was very excited and the day after that, our musical project started.

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    Tell us a little bit about all the different things you do with Radio Cascabel.

    Have you ever imagined a platform that curates emerging Latin-American music and visual art? A Radio that spreads local sounds with a global spirit and timeless sounds? A radio that could provide a space for experimental music? These questions inspire us to keep on developing our project.

    We search for new sounds and emerging visual artists all around Latin America. We develop an archive of the new, undiscovered and the impossible. We schedule all this music and broadcast a fresh streaming where new stuff can be listened to and artworks that have no place in traditional broadcasting can be enjoyed.

    Cascabel is our world – the way we live, think and feel. It is also a lab for music experimentation.

    You’ve recently moved to London to open a second office. What made you expand to the UK?

    We wanted to have the opportunity to show all the new Latin American music we work with and to experience living in another country. London is a really musical city and it’s giving us the chance to connect countries, people, and languages through music. We’d like to change some stereotypical ideas of the music of our region. We love to offer an unexpected selection of music where listeners can discover new sounds.

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    What Latin American musicians should we be listening to right now?

    We recommend all the artists we broadcast in Radio Cascabel. This is just a small selection: Bahía Inútil (Chile), Lucrecia Dalt (Colombia), Little Jesus (Mexico), Candelaria Zamar (Argentina), Nicolas Melmann (Argentina), Salt Cathedral (Colombia), Sobrenadar (Argentina) and Helado Negro (Ecuador/US).

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    What are your plans for the upcoming months?

    We’re starting a monthly show on NTS Radio with some of the best tracks from our selection. Also, some others radio stations have shown interest in having the most exciting sounds from Latin American and the Southern Cone. We are so happy to find Londoners interested in our curated music playlists.

    We also expect to increase our own audience on Radiocascabel.com and visit some friends in Ibiza and Madrid for New Year’s Eve.

  • Brothers We Stand

    Brothers We Stand

    Founded by Jonathan Mitchell, Brothers We Stand is a new online retailer selling ethical menswear. Conceived as an alternative for the customer dissatisfied with fast fashion and its questionable practices, every product on the website features a footprint tab providing information on its social and environmental impact. Brothers We Stand stocks a stylish and sustainable range of products from its own brand and other like-minded labels.

    We tried on some of its pieces and spoke with Jonathan about what made him start Brothers We Stand, working with friends and his future plans.

    www.brotherswestand.com

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    What made you start Brothers We Stand?

    I noticed that there was a growing number of menswear designers working to sustainable standards but that they were often hard to find. So I had the idea that it would be cool to bring them together. That’s it really!

    Our aim is to provide a solution that allows style loving people to build a wardrobe made up of stylish and sustainably made menswear.

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    What’s the main criteria for a brand to be stocked at Brothers We Stand?

    For us the product comes first, it’s got to be a great product. We search out pieces that are aesthetically pleasing, created to last and ethically and sustainably made.

    Every product on the site has a different story but all have something about their manufacture that sets them apart from the norm. It could be that they are made from recycled materials, that they are made in a wind-powered factory or perhaps that they are hand-made in London.

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    The Level Collective t-shirt

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    The Level Collective t-shirt

    Please tell us a little more about the different brands you stock at Brothers We Stand.

    Seeing as you’re repping a Level Collective tee, let me tell you a bit more of them! Mark Musgrave is the creative head behind the brand and he collaborates with emerging illustrators to co-create prints for his bamboo and cotton tees and sweats. Mark’s designs are inspired by his personal love of the great outdoors and I love the gentle simplicity to his work. The garments are good quality and his bamboo tees are some of the softest t-shirts we’ve come across.

    Elvis and Kresse are another brand and provide a good example of the diversity of materials the brands we work with use. They make phone cases, wallets and bags from upcycled fire hose and military parachute silk. Kresse’s had a fascination with waste since childhood and their story began when Kresse and her partner James met some people from the fire brigade and were invited to come and view their waste. They were brought to a ‘fire hose landfill’ where hoses which can survive for up to 25 years of active service are scrapped when they are too damaged to repair. Kresse says she fell in love with the ‘rich, lustrous coils of red.’!

    James is a skilled craftsman and together they began experimenting with the hoses and started to make bags and wallets. Due to the hard exterior of the material it is hard to work with but they found the effort to be worthwhile and the resulting products highly durable. The couple have now been working with the material for ten years and perfectionism doesn’t even come close to describing how they’re constantly refining their products. Elvis spent an incredible five years perfecting a billfold wallet which apparently he still thinks can be improved further! Their pieces are beautiful and have a narrative to them that’s unrivalled due to the history of the fire hose.

    These are just two examples but all the brands we work with have inspiring stories and it’s a privilege to work with them and sell their products.

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    Brothers We Stand sweatshirt

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    You’ve built Brothers We Stand alongside a group of friends, can you tell us more about them?

    Brothers We Stand has got to where it is today thanks to the hard work and talents of a lot of people! Whilst I was planning the business I was working as a waiter with an agency which meant I met a lot of new people. One of the guys I got to know was Alex, a Romanian computer science student, and he ended up helping out with some of the coding I needed doing for the website. Luca Iiriti was the housemate of another waiter friend and he designed our pre-launch material which was crucial in getting the first brands on board. Then Gary, a long-time friend, designed our logo. Gary’s gone on to be a huge support and many a day I’ll interrupt his work at Sparks Studio asking him if he can help out with this or that!

    Since we launched, Delia has organised brilliant parties, Rachel has taken really strong photos, Ashley has super charged our Twitter and Lisa has stitched labels for our own brand collection. Alex has repped us at parties and events and Jack has written copy (and is just about to start a fortnightly Brothers We Stand newsletter which I’m really excited about).

    There are many others who have contributed and continue to do so and Brothers We Stand is the product of a lot of people’s imagination, insights and hard work. We hope that the end result is something that people love and can take as much enjoyment of being part of as we do.

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    What are Brothers We Stand’s future plans?

    Our aim at Brothers We Stand is to provide a brilliant service that helps people build sustainable and ethical wardrobes. We just want to continue taking that forward and seek to continuously improve our service.

    We’re also keen to work on interesting creative projects to show what a sustainable and ethical future for the fashion industry can look like. We’ve got a project in the works now and it’s set for launch March/April 2016 so watch this space!

    Visit Brothers We Stand.