Author: Igor

  • The New Mediterranean

    The New Mediterranean

    A shared love for plants, handmade products, natural materials, Henri Matisse and the organic shapes found in the Mediterranean architecture and landscapes are just some of the elements that connect a new wave of Barcelona-based creatives and collaborators who are influencing current fashion and art trends. We’ve selected some clothing and accessories brands, shoemakers, illustrators and jewellery labels that represent the aesthetics and values of what we have called ‘The New Mediterranean’.

    Paloma Wool


    Image via Paloma Wool Instagram

    Founded by artist and designer Paloma Lanna, Paloma Wool is described as a “a project on photography, clothing and other experiments”. Paloma Wool’s products are locally made in Barcelona, often collaborating with artists to create items ranging from clothing and jewellery to bags and art books. Paloma also explores “the space or ideas that are created around the act of getting dressed” through art installations and performances in which she also collaborates with other local creatives like art director and photographer Carlota Guerrero, known for her work with Solange.

    www.palomawool.com

    LEVENS

    Image via LEVENS Instagram

    Actress Mar del Hoyo is behind LEVENS, a jewellery label founded in 2016. Mar creates ceramic earrings inspired by her fascination for nature and femininity. All LEVENS’ products are handmade, with differences in shape and colour which make them unique. In fact, these ‘imperfections’ are part of the ethos behind this project: “Imperfect pieces that arise from a manual movement, almost intuitive, in which the simplicity of forms and materials are a sign of identity”.

    www.levensjewels.com

    About Arianne

    Image via About Arianne Instagram

    About Arianne was one of the first Stories we published on our website. The founders of About Arianne, Ariadna Guirado and Ernest Vidal, have been creating women’s shoes 100% made in Spain since 2010 and have also recently started to design bags. From their shop/studio in Barcelona’s Poble Nou, Ariadna and Ernest produce slow-fashion centred around three values: quality, comfort and design. About Arianne’s shoes and bags are inspired by classic lines and silhouettes which are reinterpreted with a contemporary vision, creating unique and timeless pieces.

    www.aboutarianne.com

    Tana Latorre

    Image via Tana Latorre Instagram

    Tana Latorre is an artist and one of the close friends and collaborators of Paloma Wool – she has illustrated clothing and worked together on other art projects with the label’s founder Paloma Lanna. Born in Nairobi, Tana lives in Barcelona and her minimalist drawings of female silhouettes and faces have been reinterpreted by other artists like sculptor Diego Cabezas and the Berber women behind Anou, a project connecting artists with artisans in Morocco.

    www.instagram.com/tanalatorre

    Matagalan Plantae

    Image via Matagalan Plantae Instagram

    Born in Costa Rica, Carolina Spencer moved to Barcelona in 2004 and worked as a florist before starting Matagalan Plantae in 2013 as a project exploring the relationship between plants and pots, and their connection to the city. Caroline saw the plant and its container as just one object, and wanted to replace the traditional plastic pot with ceramic vases made by hand in Cataluña in order to create a plant/pot combination more aesthetically pleasing.

    www.matagalan.club

    Ölend

    Image via Ölend Instagram

    Fran Rios, Adriana Dumon and Antonio Longás started Ölend with the idea of creating backpacks for themselves, and their friends liked them so much that they decided to start making them on demand. Ölend’s backpacks and bags are inspired by travelling, challenges and mountaineers from the 40’s and 50’s. They are handmade 100% in Barcelona, using only the highest quality materials and sometimes even customised based on the clients’ preferences.

    www.olend.net

  • Mairi Timoney

    Mairi Timoney

    Mairi Timoney is an artist working and living in Edinburgh. Her work is inspired by architecture, interiors and landscapes, and has been shown in The Whitechapel Gallery in London, The National Gallery of Modern Art and The Royal Scottish Academy in Edinburgh. We chatted with Mairi to find out more about how she first got interested in art, the common elements in her work and the projects she’s currently working on.

    www.mairitimoney.com

    Can you introduce yourself and tell us a little bit about your background and education?

    My name is Mairi, I’m a Scottish Artist currently living and working in Edinburgh. I studied Painting and then continued to study a Master‘s in Graphic Design at Edinburgh College of Art. My work takes a lot of elements from both disciplines and since graduating I have continued to develop my practice and personal style.

    Do you remember the first artwork you created?

    I remember drawing my dream house when I was about 5. I’m not sure if I’d really call it a piece of artwork but it’s definitely my first memory of loving to make and draw.

    How do you describe your work? What are some of the common elements we can find in your pieces?

    Within my practice I mainly focus on making multi media images that portray fictional places and scenes that I build through a mixture of collage and painting. I like to collect imagery and materials from various sources to piece together visuals which are both aesthetically and compositionally engaging. I also enjoy juxtaposing different media to consider surface, space, pattern and colour whilst the overlaying imagery allows me to explore my interest in place and narrative. The fragmented landscapes which appear in my work come from an attraction to unfamiliar surroundings, quiet landscapes, architecture and the lives and stories of the people that inhabit these spaces.

    Where do you draw inspiration from?

    I’m always inspired by architecture, interiors and landscapes that I see in day to day life or when I travel. The structures and colour combinations give me ideas to include in new pieces and I always try to take photographs that I can use later. I also find creative blogs and magazines really useful for finding inspiring new projects, as well as being able to look at the work of my favourite artists and designers too.

    What are some of the projects you’re working on?

    I recently started a year long Artist in Residence position based in a school in Edinburgh called George Watson’s College. Here I will have the opportunity to run workshops and teach pupils in the Art & Design department whilst also having time to focus on my own practice. I am provided with materials and a new studio space to work in and I plan to spend my time developing a body of work which I will exhibit in a solo show next July.

  • The Complexities of Co-Parenting and Strategies for Success: A Comprehensive Guide

    Navigating the world of co-parenting can often be a daunting journey, particularly in the aftermath of a divorce or separation. It demands a heightened level of understanding, patience, and unwavering dedication from both parents to ensure that the child’s best interests are consistently met. This comprehensive guide aims to delve into the intricacies of co-parenting, offering pivotal insights and practical advice to aid parents in maneuvering through this challenging yet rewarding landscape.

    Unpacking the Fundamentals of Co-Parenting

    Co-parenting is a joint parenting arrangement where both parents take on an active role in their child’s everyday life. The primary objective of this arrangement is to guarantee that the child maintains consistent, meaningful contact with both parents. While achieving this balance may not always be straightforward, it is entirely feasible with open dialogue, mutual respect, and ample patience.

    Effective Communication: The Cornerstone of Successful Co-Parenting

    In any co-parenting relationship, effective communication is paramount. This involves discussing everything from daily routines and school activities to major life decisions such as educational choices and healthcare matters. It is crucial that both parents feel acknowledged and respected in these conversations, fostering an environment conducive to mutual decision-making.

    Addressing the Challenges of Co-Parenting: From Differing Styles to Scheduling Conflicts

    While co-parenting can have significant benefits for the child, it can also bring about various challenges for parents. These can range from reconciling differing parenting styles to managing conflicting schedules, and even handling complex emotions.

    Navigating Differing Parenting Styles

    One substantial challenge in co-parenting is reconciling differing parenting styles. It’s vital for parents to find common ground that respects each individual’s approach while also prioritizing the child’s needs and well-being.

    Overcoming Scheduling Conflicts

    Scheduling conflicts are another common challenge in co-parenting arrangements. To overcome this, parents should strive for flexibility and open communication, always keeping the best interest of the child in mind.

    The Risk of Parental Alienation in Co-Parenting Scenarios

    Among the issues that can surface in co-parenting situations is parental alienation Nevada. This occurs when one parent intentionally or unintentionally undermines or sabotages the relationship between the other parent and the child. Being aware of this issue and taking preventative measures is critical to preserving a healthy co-parenting environment.

    Identifying Signs of Parental Alienation

    Parental alienation can exhibit itself in numerous ways. Some signs include the child expressing unjustified hatred or fear towards one parent, the alienating parent interfering with communication or visitation rights, or the child expressing guilt about spending time with the other parent. Recognizing these signs early on can help mitigate potential damage and guide appropriate action.

    Practical Strategies for Successful Co-Parenting

    Despite these challenges, successful co-parenting can be achieved with the right strategies. Here are a few practical tips:

    • Maintain open and respectful communication: Regular check-ins and discussions about the child’s activities and well-being can foster a healthy co-parenting relationship.
    • Prioritize the child’s needs above all else: The child’s happiness, security, and overall well-being should always be the primary focus in any decision-making process.
    • Be flexible and willing to compromise: Co-parenting requires adaptability. Be open to adjusting schedules or revisiting arrangements to accommodate changes in circumstances.
    • Seek professional help if necessary: If conflicts escalate or signs of parental alienation appear, don’t hesitate to seek help from professionals such as counselors or family law experts.

    Conclusion

    Co-parenting necessitates substantial effort and understanding from both parents. While there may be hurdles along the way, keep in mind that the ultimate aim is to ensure your child feels loved and secure. With patience, empathy, and commitment, a successful co-parenting arrangement can certainly be realized. Remember, the journey might be tough at times, but the rewards of seeing your child thrive in a stable, loving environment are immeasurable.

     

  • Adding Value and Enjoyment with a Patio Cover

    Backyard patios provide a perfect outdoor space for relaxing, entertaining, and enjoying the weather. While patios on their own offer many benefits, adding a patio cover can enhance the space even further. A properly designed patio cover in Las Vegas can transform a patio from a seasonal space into one that can be used year-round.

    Expand Usability and Comfort

    A well-built patio cover allows you to get more use and enjoyment out of your patio. By providing shade and shelter from the elements, a cover enables you to spend time on your patio regardless of the weather or time of day. Rain and harsh midday sun no longer force you indoors. A patio cover also helps block UV rays, keeping you and your furnishings protected. With the right design, you can extend your patio season into spring, fall, and even winter in Las Vegas.

    In addition to shelter, patio covers help manage temperatures. Shading your patio helps keep it significantly cooler during hot Vegas summers. You can enjoy being outside without roasting in the sun. For nighttime use, open roofed patio covers allow desired heat to radiate out under the night sky. You can comfortably use your patio later into the evening.

    Customize Design and Styling

    Well-designed patio covers in Las Vegas act as an extension of your home’s architecture. An experienced contractor will help you choose a style that complements your home’s existing design. You can match architectural details like tile accents and wrought ironwork. Shapes, slopes, and materials can also mirror home features for a cohesive look.

    Beyond tying into your home’s aesthetics, patio covers allow you to add visual interest.combinat You can match or contrast colors and textures depending on your preference. For instance, you may opt for an earthy stone and wood pergola versus sleek aluminum framing and glass panels. The options for customization are nearly endless.

    Maximize Enjoyment of Your Outdoor Space

    The right patio cover transforms your outdoor area into a comfortable, inviting space perfect for everyday use and entertaining. Family dinners, parties, gatherings with friends – a covered patio expands possibilities for outdoor fun. You have room to include nice patio furniture, an outdoor kitchen, fireplace, and other amenities without worrying about weather damage. A covered patio also contains mess, keeping your patio area cleaner.

    During nice weather, a covered patio offers the ideal outdoor living space. When conditions get too hot, cold, or wet, retractable covers allow you to quickly open or close the roof and extend use. Side screens and windows provide ventilation when closed. You can create an enclosed space perfect for year-round living.

    Increase Property Value

    Outdoor living spaces like covered patios add value by expanding a home’s usable square footage. In a place like Las Vegas that emphasizes outdoor living, covered patios boost a property’s appeal. Home buyers look for spaces that allow them to enjoy the region’s weather and entertainment.

    A professionally designed and built patio cover also demonstrates a homeowner’s commitment to quality improvements. Like an addition, it shows investment in customization that buyers appreciate. Additionally, quality patio covers increase curb appeal. A stylish, complementary design calls attention to the home and its amenities.

    Long-Lasting, Low-Maintenance Additions

    While patio covers require significant upfront investment, their durability provides lasting returns. High-quality construction and materials resist weathering and wear. Covers made with aluminum, glass, stone, and treated wood hold up well over time with minimal required maintenance. Properly built covers stand up to extreme heat, sun, rain, and wind. With care, patio covers add beauty and enjoyment for decades.

    Work with Experienced Professionals

    The benefits of an exceptional patio cover start with hiring experienced Las Vegas contractors. Reputable companies handle the entire process from design and permits to construction. They work with you to create a design that fits your home, lifestyle, and budget. Skilled installation protects your investment with proper structural engineering and craftsmanship. Investing in professional patio covers delivers lasting rewards for your home and enjoyment.

    A well-designed patio cover provides an invaluable addition to any Las Vegas home. With protection from the elements, customized design, and expanded entertaining possibilities, patio covers become a favorite spot for gathering, relaxing, and experiencing the best of outdoor living in Las Vegas.

  • Peony Gent

    Peony Gent

    Peony Gent is a freelance multimedia illustrator currently based in London, specialising in visual poetry and observational drawing. Working across different media – from comics to ceramics – Peony likes to keep a sense of play in her work, whilst maintaining her practice fluid and always open to change. We chatted with Peony to find out more about her education, her favourite projects and plans for the upcoming months.

    www.peonygent.com

    Can you introduce yourself and tell us about your education?

    Originally from Cambridgeshire I’ve lived in Edinburgh for the past five years, where I completed an undergrad at the Edinburgh College of Art. After a year out of education I’ve recently moved to London, where I’m just starting a two-year master’s in Visual Communication at the RCA here.

    How would you describe your illustrations?

    Describing my own work is something I’ve never been quite good at, even though I really should have gotten used to it by now. I do like to keep my practice really varied though, and enjoy doing a wide selection of jobs, from bold commercial designs to contemplative visual poetry. I would say, however, that my main love in illustration is the visual narrative/comics making side, and it’s definitely the most personal work I create. The interplay between word and image is really important to me in those projects, and the writing is just as valuable as my drawings to me there.

    In terms of a consistent visual style though, I mainly work in just pencils and then edit and add colour to my work digitally in Photoshop. That organic hand drawn element is very valuable to me, so even though I could just do a lot of my sketches directly on a tablet, I still like to keep it in a sketchbook first. I feel it stays a bit more free and fluid that way.

    A large part of my illustration style is about trying to capture a sense of place and/or character without just directly copying the subject, if that makes sense. A photo-realistic drawing that just copies a subjects appearance without showing any of its energy simply isn’t for me. To that end I often create a lot of my work by quickly redrawing the same subject over and over, until I feel like one has really captured the energy I’m searching for. I always keep a sketchbook with me for these observational drawings, and try to use it as often as I can. Often, I’d say around 70% of these drawings turn out like total trash, but it’s still worth it for the ones that do turn out well. I’ll also often return to drawings from those sketchbooks that I did weeks or months ago and find something valuable there that I hadn’t originally seen or needed.

    You work across different formats, can you tell us a little bit about each of them?

    Whilst pencil drawings are the most common medium I use, I do really love to experiment and have recently got really into ceramics. In contrast to typical illustration work, it’s nice that you don’t have to worry about deeper meanings or anything, you can just concentrate on making something aesthetically pleasing. I’d love to work on a more cohesive range this year and ideally get a space with a wheel to cut down on production times. In the past all my ceramics have been made very informally in my room without any proper equipment or tools, and I’d like to learn a lot more about glazing and different clays as well.

    And whilst I enjoyed printmaking at uni it’s been difficult to access any facilities since leaving ECA, but I have kept up making some risograph prints. It’s been the only way for me to print large runs fairly cheaply and I do like that organic texture and ability to layer colours that risograph printers give. I’ll often take bits of other projects and transfer them into these prints, rather than sitting down with the direct intention to design a new one from scratch.

    What are some of your favourite projects you’ve worked on?

    The ones I value the most have to be my own comics and poetry projects, they’re the ones that always take me the longest to do and they’re definitely the most personal. It really means a lot to me when those stories strike a chord with people, and some of the responses I’ve had to them have been honestly very touching. With each new one I make there’s always an element of fear: that I’ve put too much of myself into a piece of work or made myself too vulnerable.

    On the other hand I also enjoy the pay off of making ceramics, it’s just very pleasing to be able to use things you’ve made yourself for everyday practical purposes. Especially when so many illustrations I make only exist digitally in their finished form – it’s a nice balance to have physical results of things you’ve made.

    I was also lucky enough to be one of It’s Nice That’s 2016 graduates and really appreciated the opportunities I got through that. In particular, each of the grads that year got the chance to make a book in collaboration with GF Smith papers and it’s still easily the nicest thing I own with my illustrations in it. I made mine as a kind of formal presentation of my sketchbooks and it’s a collection of my photography, drawings and writings from the two previous years.

    What are your plans for the upcoming months?

    Mainly settling into London! I’ve honestly only ever lived in Cambridgeshire where I grew up or in Edinburgh, so it’s an exciting change to live somewhere new and see what opportunities there are here. I’ve also been working on my very first long form comic and hope to make some good headway on it before Christmas, at least. Having only made short self-published zines before this is a big change for me, especially since I’m usually so bad at committing to one theme or idea long enough to carry it through to the end. It is still very much in the early stages though, so we’ll have to see how it goes…