Tag: scotland

  • Glasgow Print Fair: Bringing Together People Passionate About Print

    Glasgow Print Fair: Bringing Together People Passionate About Print

    Print is still on the rise and the best example is Glasgow Print Fair, a new festival and the first of its kind taking place in Glasgow. Organised by local creatives Jane McDevitt, partner at Maraid Design, and Kaye Symington, co-founder at Paved with Gold, this festival celebrates established and new printmakers, and brings people together for a day of print-based fun.

    Glasgow Print Fair will take place on Saturday 2nd November (10am – 5pm) with free entry at The Lighthouse.  The festival will showcase prints and other products by over 50 makers from the UK and Europe. With work by established studios and artists like Lesley Barnes and Risotto Studio (read our interview with its founder!), collectives and design shops like Yuk Fun Now and Welcome Home, and also some emerging talent from Glasgow School of Art.

    Do not miss this opportunity to support print and take home with you textiles, zines, posters and much more!

    www.glasgowprintfair.co.uk

  • Meet the Graduate: Alannah Cooper

    Meet the Graduate: Alannah Cooper

    Alannah Cooper is a Fashion Communication graduate from Heriot-Watt University in Scotland. We talked to Alannah to find out more about her course, her final project ‘Teran’ and how it feels to graduate in 2017.

    www.alannaheileen.com

    Photographs taken from ‘Teran’.


    Can you tell us about yourself and your course?

    I grew up in the Orkney Islands in the very north of Scotland. It is very cold and windy there but you get to see a lot of beautiful things, like waves crashing into cliffs and the Aurora Borealis (known locally as the ‘merry dancers’). I spent a lot of time cutting pictures out of magazines and sticking them to my bedroom wall, as well as painting and charity shopping.

    Then I moved to the Scottish Borders to study Fashion Communication at Heriot-Watt University, where I spent even more time cutting pictures out of magazines, painting and charity shopping. My course included a broad mix of subjects, such as photography, graphic design, journalism, styling, events and marketing. It suited me well because I loved doing everything and was initially unsure what I specifically wanted to pursue as a career. By the end of the course, each one of us had found our own individual handwriting and was able to demonstrate it within our work. I was very fortunate to receive the Bernat Klein Award and Watt Club Medal from my university, as well as being awarded the Fashion Photography Award at Graduate Fashion Week. In January, I will begin a Masters in Fashion Communication and Promotion at Central Saint Martins, where I will be focussing on image-making.


    Can you tell us more about your final project?

    I created a publication titled ‘Teran’, which focussed on rural out-migration within youths. It’s common for young people to be encouraged to leave their home following school to attend university and pursue career ambitions but I questioned whether creatives could be missing out on unique and interesting opportunities where they lived. Whilst reading poetry written by my great grandfather’s cousin, Robert Rendall, I could see my own personal experiences of growing up in Orkney – as opposed to picturing his own stories. I decided to use these poems to inspire each editorial, in an attempt to show my own interpretation.

    I made a conscious decision to include no makeup or retouching and to use only natural light. I cast people who weren’t models professionally but I felt were interesting and beautiful. The clothes were all second hand, vintage or borrowed because there are no high street shops in Orkney and I wanted to stay true to that. I interviewed some really interesting people who were having successful creative careers in the islands, such as the Cathedral Stonemason, who as a 24-year old woman was likely to be the first female in the position, and had taken such an interesting creative career path.


    How has your course and school prepared you for life after graduating?

    My course was quite demanding, which I think helped me to build a strong work ethic. I think having a balance of internships/jobs as well as academic learning was really important, because I gained experience and skills through working but refined my knowledge and expertise within university. My course gave me the room to experiment, make mistakes and figure out what worked for me. I learned in depth about ethics, sustainability and a number of other important issues within the industry, which has shaped my perspective dramatically. I have left university feeling very aware of my responsibility to create positive change within fashion.


    How does a graduate feel in 2017?

    Personally, 2017 has been a very surreal year because I went from showing my work to mostly friends and family to exhibiting my work in London and being interviewed by ELLE magazine. I am feeling really excited about creating new work and motivated to improve my abilities. I’ve been reading a lot, trying to see as much art as possible and exploring topics that could be interesting subjects for editorials. After this year, I really believe that if I work hard enough and am persistent, I can achieve my goals.

    If you’ve graduated in 2017 and would like to be featured on our blog, please send us an email to hello@thefuturepositive.com with some information about yourself and your graduation project.

  • The Grapevine

    The Grapevine

    The Grapevine is a bi-monthly magazine set out to bring Scottish communities into sharper focus. After a redesign and a new launch, the publication is now available throughout Scotland with the objective of offering something unique and different to what’s currently available in Scottish newsstands.

    We caught up with The Grapevine’s editor, Alexander MacLeod, to find out about what made him start his own publication and what readers can find in this new issue.

    www.grapevine.scot

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    Please tell us about why you decided to start The Grapevine.

    I’ve always enjoyed a diverse media diet. Growing up in the Highlands, Monocle and the FT were important ways to gain new perspectives from beyond my home patch – they were publications with purpose. With the Grapevine, I wanted to try and take that kind of ethos – sharp editorial, insightful writing, commissioned photography – and apply that in a localised setting. With no money but a band of brave advertisers, we released issue 001 as a free title on toilet-paper thin newsprint in the Highlands. It was a big risk, but our audience continue to prove us right.

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    How has The Grapevine changed from the first issue to issue 10?

    The title has gone through many iterations. I don’t believe in standing still. As our base has grown we’ve invest more time and money in content, paper, and distribution. The magazine is now released on beautiful paper, and is distributed across Scotland.

    Through all these changes, though, our driving ethos has remained constant: to bring innovators and change makers into focus, and shine a light on our communities.

    For this issue, you’ve redesigned the magazine – what were the main factors behind this?

    I wanted the magazine to reflect the quality of the content we were producing. Newsprint was great for a time, but we needed to be working in a better format. The redesign is a response to this, and means our photography and content – which has always been our biggest expense – now has a home to show it off as best as it can.

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    What is The Grapevine offering that you won’t be able to find in other similar publications?

    There’s been a huge flourishing of new titles in Scotland, which I think is in direct response to a traditionally stale, standard media landscape. I don’t see a title on the newsstand which is doing what The grapevine is doing, but I hope that changes. A rising tide lifts all boats, and we need more quality publishing in Scotland. Hot Rum Cow and Vanguards magazine are two good examples of ambition for print.

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    Could you give us a little preview about what readers can find in the next issue?

    Our next issue centres on crafty entrepreneurs – makers and artists who are defining what and how we buy. The issue ties into a fabulous winter gift guide, along with all our regular content. We also have an exclusive partnership with Scotland’s most celebrated painter and one of our most innovative fine art photographers which I can’t wait to share…but you’ll have to wait for that one!

     

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  • Vanguards Magazine

    Vanguards Magazine

    Founded by James Roberts and Hugo Ross, Vanguards is a new magazine exploring and celebrating Scotland’s rich and diverse design and manufacturing tradition. We visited James and Hugo at the magazine’s studio just before the first issue was launched and we chatted about what made them start their own publication, what makes Vanguards different from the rest of independent magazines and their plans for the next issue.

    www.vanguardsmagazine.com

    Magazine photos by Peter Dibdin.

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    How did you meet and how did you decide to start a magazine?

    We met at Edinburgh University – day one of first year. We’ve both just managed to finish a 5 year degree in Fine Art but have developed passions in design, fashion and manufacturing.

    In the winter of 2014 we visited Laurence Odie, a Shetland knitwear manufacturer, and learnt about his incredible products and his factory’s incredible history. We wanted to tell his story, and educate people like ourselves, interested in quality clothing and fashion. We wanted to demonstrate how much of a significant player in the knitwear industry he is. Laurence promised us that there were far more untold and equally interesting stories out there in Scotland. Vanguards magazine is the culmination of a number of these stories, celebrating honest, thoughtful and quality brands.

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    Why did you decide to focus on Scotland’s design and manufacturing tradition as the topic for the magazine?

    Our passion and interest will forever revolve around design and manufacture – sharing that common interest in the first year of university, is the reason we became friends. Vanguards is most definitely a product of its circumstance – that fact that we are studying in Edinburgh, has everything to do with the magazine’s focus on Scotland. We are just incredibly lucky that Scotland has such a rich history and has an abundance of stories, brands and individuals to celebrate.

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    Could you take us through the different features readers can find in the first issue?

    There’s a great mixture of stuff in issue 1, from classic Scottish brand, Mackintosh, to an article on Loch Duart, a salmon fish farm on the north coast. We wanted to stretch the terms design and manufacturing as much as we could. So design can mean the work of textile designer, Bernat Klein (whose daughter is interviewed in the first issue), or it can mean the design of one of Black Isle Brewery’s organic beers. We also choose the word manufacturing to mean both the small scale, like Trakke’s bags, to the larger scale like Mackintosh’s raincoats. All the stories celebrate the brands and their products, whilst also using that as starting point to discuss issues like unsustainable manufacturing, or why we don’t buy into our own amazing knitwear, like Laurence Odie’s!

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    What makes Vanguards different to other independent publications?

    For a long time we were trying to identify our opportunity within the niche creative independent magazine market – although it is something we are realistically still working on – we strive for our features to be well rounded for our readers, and perhaps offer some meaning, instead of just offering well curated aesthetic photographs. We also think that our focus on one country over a prolonged period of time (instead of just one issue) sets us apart from other travel magazines. We really want to get to understand Scotland and share that with our readers.

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    You’ve just graduated from Edinburgh College of Art, what’s next? Are there any plans for issue #2 that you can share?

    We’ve been building Vanguards for the past 18 months, there are definitely enough features and stories out there for a second, third and even fourth issue. It is our ultimate desire to keep the dream going! Issue 2 is being discussed and we’re hopeful for its release in December. We’ll keep pushing the writing and the visuals, and have some really amazing brands we want to feature.

    We also want to collaborate more with the brands we feature to make limited edition products. To go with issue 1, we’ve produced a line of jumpers with Laurence Odie which really are the best jumpers we’ve worn!

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  • Lodestars Anthology

    Lodestars Anthology

    Lodestars Anthology is a new London-based travel magazine focusing on a different country in every issue. Edited by Liz Schaffer, Lodestars Anthology is aimed to the curious traveller looking for new experiences and adventures. The publication merges the lifestyle content of a magazine with a focus of a guidebook, providing an insightful introduction to the country through beautiful imagery and informative content.

    Lodestars Anthology released its first issue, focusing on England, in September 2014 and the second issue, with a focus on Scotland, was launched in March earlier this year.

    It’s great to see the country we live in portrayed so beautifully throughout the pages of a magazine. From Edinburgh to the Hebrides, the second issue of Lodestars Anthology is an impressive trip across Scotland documented through stunning photographs, illustrations, insights and essays.

    Lodestars Anthology is available to buy online and at selected stockists across the world.

    www.lodestarsanthology.co.uk

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