Tag: kristin texeira

  • The Jaunt, art and travel

    The Jaunt, art and travel

    The Jaunt is a project by Jeroen Smeets sending artists all over the world to find inspiration and create a new artwork which is printed in a limited edition. Before the trip, you can purchase the print sight unseen only knowing about the artist and their destination – a place they’ve never visited before. During the trip, you can follow the artist whilst they get immersed in the destination and get inspired to produce their artwork.

    In this short interview, Jeroen tells us about how the idea behind The Jaunt started, how people have reacted to this innovative project and the last trip with artist Kristin Texeira.

    www.thejaunt.net

    Photos by The Jaunt

    Jaunt #021 – Scott Albrecht – Masaya

    Can you introduce yourself and tell us about how The Jaunt started?

    My name is Jeroen Smeets. I’m from the Netherlands originally, but living in Copenhagen these days with my family. I’ve been working with artists for a while now through different jobs and projects. Ranging from editor-in-chief, creative director, art agency, gallery manager, publisher, journalist and everything in between.

    The Jaunt started about five years ago when I first started talking about this project with friends and artists, trying to shape this idea I had of sending artists on trips all over the world to find inspiration. After a year of conversations we organised our first trip in April 2013, and have been running ever since up to trip number 35.

    Jaunt #030 – Jean Jullien – Marfa

    The Jaunt is an innovative take on the traditional artist residency. Can you explain briefly how it works?

    We send artists on trips all over the world with the sole purpose of finding inspiration. There is no agenda and no briefing. The artists make their own trip and their own adventure. Once the artist returns from their trip, they create an artwork which we then produce as a limited edition silk screen print. We sell this print before the trip takes place. Meaning you have no clue about the outcome of the artwork until the artist has returned and you receive your print at home.

    This way when you buy a print you become part of the experience and make it possible for the artist to go on their trip.

    The Jaunt #007 – Jordy van den Nieuwendijk at work on location in Los Angeles

    We love the surprise element of buying the print before the artist travels to their destination, without knowing what they’re going to create. How did your first customers react to this? Can you share some of the feedback or comments you’ve received since you started The Jaunt?

    We work with a variety of established and upcoming artists, and this way we get to introduce artist whose work we admire to a new audience. One of the things I personally enjoy hearing the most is when people order a print from an artist they did not know before, but are very pleased with in the end and the artwork ends up hanging on the walls in their house.

    The screenprint studio of Joris Diks where the artworks are printed

    Your last trip has been with artist Kristin Texeira, whom we’ve interviewed before. Why did you choose Kristin and her destination, Newfoundland?

    I actually just stumbled upon her work by clicking through different hashtags on Instagram, and it immediately captured my eye. Her work is to me a great example of an artist putting her own feelings and experiences into the artworks. Meanwhile she is able to tell a vivid story with her quite abstract work. So I got in touch with her and two weeks later her tickets were booked.

    Originally I was looking into the Caribbean islands for her trip, but Kristin expressed a bigger interest in less tropical climates, enjoying the different elements of the weather and nature. Newfoundland, Canada seemed like a perfect fit for her.

    Jaunt #012 – Cleon Peterson – Athens

    You have published a book about your first 10 artists and their trips. Are you planning a second volume or other ways to expand the project outside of prints?

    It’s in the works. The first book was self-published which is a big challenge, especially on the distribution end of things. So ideally I would like to collaborate with a publisher on the second book and make sure it gets the proper international distribution.

     

  • Kristin Texeira

    Kristin Texeira

    Kristin Texeira is an oil painter originally from Massachusetts. From her studio in Brooklyn, Kristin creates abstract colourful paintings to capture, document and preserve memories. We chat with Kristin to find out more about her earliest memories of painting, the influence of colour in her work and what happens on a normal day at her studio.

    www.kristintexeira.com

    Studio photographs by Julie Simon.

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    What are your earliest memories of painting?

    I remember as a very young child a pair of feathery paintings above my mother’s couch. I would subconsciously study them – the way the colors and shapes interacted and overlapped, comparing and contrasting them. So, it all started with looking.

    After that I can remember passing my hours filling coloring books – my strategy was to use as many colors from the crayon box as possible. I had little watercolor sets and my grandmother would let me paint on her walls and windowsills. I loved color from a young age. I would take the paint palettes from my classmates and mix their colors together to watch them all blend before washing them.

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    Please take us through a normal day at your studio and tell us a little about your work process.

    I’m a big list-maker. My day usually starts with a coffee and a “to-do” list. There is a lot to balance between the act of making art and the business side of things. So, my lists usually include a few business oriented tasks: emails, updates, applications, and then there’s the good stuff – what I will make that day.

    Most of my paintings begin in the form of writing. I try to free write everyday in search of inspiration. Writing helps me to preserve the present and unlock memories that I haven’t visited in a while. My paintings are these stories retold through the language of color.

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    Colour is clearly an essential aspect of your paintings. Please tell us in which ways it influences your work.

    My life is categorized with color. Colors are evoked through interactions. I make playlists based on the colors of songs. I know certain friends will get along with each other based on their colors. I see colors in scents and sounds. It helps me define moments in time.

    I paint to provide proof – for myself and others – of existing in these moments. Painting keeps me present and allows me to pay homage to the past. I gather colors daily as a reminder to remain awake and I paint the colors of the past to remedy nostalgia.

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    What other elements are an essential part of your work? Where do you draw inspiration from?

    Travel plays an important role in my work. I’ve noticed a pattern where I never have a sense of my present home until I reach a new destination. Interacting with new environments allows the past to become a memory and therefore something I wish to preserve through painting. Being in new places and listening to the stories of strangers serves as great source material for my pieces. My desire to learn through travel and my artistic practice are intertwined.

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    What are you working on at the moment?

    Though I look outwardly for inspiration, my work over the past few years has been mostly personal. I am continuing the search for beautiful interactions but, I am starting to gather other people’s memories as well.

    I have had strangers come to me with memories that they want to preserve through paint. There have been families that have to sell their grandparent’s home and want a tangible map to remember. There have been couples that share a great adventure in a faraway place, walking me step-by-step through their memory, asking me to put it into paint. It’s amazing some of the stories people have shared and beautiful that they trust me with something so precious. I’m hoping to continue my own adventure and help many people along the way with remembering theirs.

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