Tag: handmade

  • Studio Visit: PAKTA STUDIO

    Studio Visit: PAKTA STUDIO

    We first talked with Kerim and Hana, the founders of PAKTA STUDIO, when they were just starting their bag and accessories brand after moving from London to Bratislava. It’s just been over a year and Kerim and Hana have now opened their own workshop and store (Tobrucka 1, Bratislava, 81102) as a means for customers to see the handmade process before purchasing the products,  as well as a point of contact with the local community in order to get to know people better.

    We caught up with them to find out more about the space, the new products they’ve been working on and their plans for the upcoming months.

    www.paktastudio.com

    Can you tell us about what you have been doing since we visited your studio? How has PAKTA grown over this period of time?


    Quite a lot has happened in a year, we can’t believe it’s only been that. We have moved into a new place which serves both as our workshop and our store. It’s a great space for us to work in, as well as for people who wish to visit the store and try on our bags or see the whole production process. We’ve also expanded our product range to include the KONSIO collection (which includes some small accessories), the DERIVAT collection (which is made from our production scraps) and a selection of magazines.

    We also spent a lot of time refining our visual identity and brand. Now we go under PAKTA STUDIO, to truly encompass everything that we do within the brand and our focus on a holistic approach to designing and production.

    What made you open your own store and workshop? How have the locals in Bratislava reacted to it?



    We had pretty much outgrown our old studio and needed more space to work in. We found this place on a hidden corner in the centre of Bratislava, and we just had to take it. It’s a pleasant area to work in and is very accessible, which is great for people who wish to visit. This helped us solve the problem of setting up appointments for people to try on the bags and being able to see them in real life.

    Half of the week the space functions as a workshop, where we work on the designs there and have meetings. The other half of the week, the store is open for people to come in and try on the products or browse the magazines, or just chat with us if they have any questions. We think sometimes people are confused as it’s quite an unusual space, it’s not your usual retail store because we work there as well. But people seem to enjoy being able to see the bags being produced to be restocked, and knowing that it really is all made by us. We’ve only had good experiences so far, really.

    Can you tell us about the space and what people can find inside?

    One of the first things you notice about the space is the large windows, which were important to us. We love working with natural light, and being able to have plenty of plants is important to us. The shop is divided into two main areas – one half being the workshop and the other being the store. All of our bags are hanging on the wall to peruse, and then we have a cosy upstairs where you’ll find our curated magazine selection, which includes magazines you can’t find anywhere else in Bratislava, and the DERIVAT collection.

    On the workshop side of the studio, you’ll find us, and all the materials we use to make our products – from fabrics, to the components, and the tools we use. Depending on when you come, you might find us in the process of making some bags, experimenting with prototypes, or discussing new ideas.

    Currently we also still have some photos on the walls from an exhibition we held in the space earlier this year, which draws your eyes around the room.

    When we first talked, you were only making a few products but now your offer has grown. Can you tell us more about your new products?

    Yes, we’ve spent a lot of time working with new product ideas and new materials, and now our product range is basically split into 3 collections.

    Our regular bags and backpacks made from waterproofed cotton sailcloth are. With this collection, we still focus on bringing functional bags which are made using durable metal components. Most recently, we took a lot of feedback on our original RUKSAK design and released RUKSAK 2, a more robust and versatile backpack. We also released a small bag in a limited edition called the REZIDENT when we opened the space, with an adapted form of our logo which forms the floorplan of the studio (the release included 42 bags, which is the square meterage of the space).

    The new collection KONSIO, which we are really proud of. It’s made using Piñatex, a wonderful new material made from pineapple leaf fibres. Exploring new, innovative materials which are more sustainable and environmentally-friendly are important to us. With this collection, we loved the challenge of finding the balance between what we can do with the material and the shapes we wanted to create. This collection also expands beyond just offering bags, to offer accessories such as the Wallet and Keyring.

    And our DERIVAT collection, which is made from our leftover fabric, which is generated as part of our making and innovating process. In an attempt to minimise our waste, we regularly explore the leftover fabric we have and look for ways we can re-use it to give it a new life. This often results in experimental and interesting shapes, but is a great challenge for us and helps us be conscious of the waste we generate as a studio.

    What are your plans for the upcoming months?

    Currently, we’re in the process of testing and working with a new fabric for a totally new collection which is proving to be a lot of work at the moment. We also want to focus more on the DERIVAT series, as solving the problem of fabric waste is very dear to us, and not only that but sustainability overall.

  • Arista

    Arista

    Arista is a project by mother and daughter duo Milagros Matos and Valentina Alvarado Matos. From Venezuela and Barcelona, Milagros and Valentina run this online store stocking unique creations by artisans from around the globe. We chat with them to find out more about how this interesting project started.

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    Could you please introduce yourselves and tell us about your backgrounds?

    Milagros: I live in Venezuela and have always been surrounded by art and design in some kind of way. In the 60s, I lived in Europe for 10 years and worked in cinema and arts.

    Valentina: I currently live in Barcelona and work in visual arts.

    Tell us a little bit more about Arista. How did it all start?

    Valentina: We, as a family, thought it would be a beautiful and intimate idea to start a project where objects and crafts were involved. It’s quite normal for me to think about my childhood and remember the African masks, huipil tunics from Guatemala and other traditional objects that my mom and dad had at home.

    Milagros: As the name indicates, Arista seeks the intersection of different levels and in this particular case, disciplines. We love travelling and we consume culture and reflect this through the objects that we collect: handmade, unique editions of accessories, decorative objects and homeware.

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    How do you choose the artisans and products you sell in your store?

    Valentina: We started with Venezuelan artisans for an obvious reason – it’s our land. We have always  been in contact with wayuu artisans and are truly admirers of their hard work, colour palettes and ways of weaving, patterning and working. We also have a long research list for another destinations we’d like feature in our store in the future.

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    What are your favourite souvenirs from your trips?

    Valentina: Definitely spices to cook – they are a must to take back with you when travelling. The fresh and carefully picked ras el hanout you can buy from a local market Morrocco, you’ll never find it in Barcelona. We also like to bring textiles with us from our trips.

    What are Arista’s plans for the upcoming months?

    Milagros: Keep on travelling in order to keep collecting folk treasures. We have like an anthropological object fetish: we travel, explore, talk and do research about certain cultures and their objects and we start thinking about including them in our catalogue. Also and most importantly, partnering with local artisans in order to make foundation projects for their communities. In this first case, with La Goajira in Venezuela.

    Future-Positive-Arista-Shop-4-Low

  • Enrich and Endure

    Enrich and Endure

    Enrich and Endure is a new Irish linen and wool homeware company started by creative brother and sister duo Lorcan and Sarah Quinn from County Down, Northern Ireland. Growing up in the centre of what was once the beating heart of the Irish linen industry, Sarah and Lorcan revive their region’s heritage while simultaneously pushing it towards an entirely new direction. We spoke to Sarah to find out more about the brand.

    Photos courtesy of Enrich and Endure.

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    Please tell us about your background. How did Enrich & Endure come about?

    Sarah: I have always been creative and driven towards design. I studied art at Manchester University but found my enthusiasm somewhat suppressed, it was there that I realised I didn’t really know what I wanted to do as a career. So I did what most confused creatives do in their early twenties and went travelling – learning new skills along the way. I firstly worked for an interior designer for two years in Northern Ireland before moving to New Zealand where I worked for an interior designer and stylist. It was during my time in New Zealand that I realised what I wanted to do – create a community of like-minded creative people to reinvent Irish products in a fresh and unique way.

    I decided to return home just 13 months ago. Lorcan who had taken a career break and had also went off travelling came to visit me in New Zealand 6 months previous. We came up with a plan and decided to return to the nest in October 2013 and get cracking. Lorcan is from a business background so we decided to combine both our skills and passions and work together to develop our own company. It has taken about a year to get off the ground which has proven very hard work but extremely satisfying when we launched our website just 7 months ago.

    Who’s responsible for what in your team?

    Sarah: Lorcan works on all things business, social and marketing, he is in charge of making it all happen. I’m in charge of all things creative, design and production and writing our blog – also a self-confessed post-it-note queen.

    You mentioned that your town used to be the beating heart of the Irish linen industry. Did you see a lot of local support for your idea?

    Sarah: Yes, the local support has been absolutely fantastic! Just this week we attended a civic reception with the town mayor and members of the local press. The support beyond our town across the rest of Ireland has been fantastic also. The product offering and overall concept has been extremely well received, people are really keen to see a young dynamic company working with traditional industries.

    How do you make sure your products are innovative and cerated with respect to the Irish linen heritage at the same time?

    We take traditional patterns and respectfully redesign them by introducing vibrant colours and creative yarn blends, like weaving linen and wool together.

    The brand launched earlier this year – what are your plans for the nearest future?

    Sarah: We have grand plans for the future! The short term plan is build off the platform we have and expand our collections to offer even more colourways. In the medium to long term we plan on introducing other Irish made products into the offering to push further towards our goal of becoming an all round lifestyle brand. The goal of the company is to offer products that both “Enrich” and “Endure” – this ethos is what we always focus on delivering!

    www.enrichandendure.com

     

  • Made By Hand by Tatanja Ross

    Made By Hand by Tatanja Ross

    Made By Hand is a mini documentary by Tatanja Ross, which discusses the revival of handmade approaches in the art world. The director showcases a glimpse of this movement through work of emerging artists based in Melbourne, Australia. The portrayed illustrators, paper crafts, screen printing and textile artists discuss how the handmade movement inspires and benefits their work.

    As Tatanja mentions in the documentary, “the DIY culture is less of a simple art trend but a lifestyle that many makers encompass and put back into the world”. In the world of mass manufactured products, the director hopes to inspire other young artists to work with their hands and show that supporting local artists and makers is important and worthwhile.

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    Made By Hand from Tatanja Ross on Vimeo.

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