Category: Design

  • Safety Meets Innovation: The Modern Advancements in Playground Equipment Design

    Playgrounds have always held a special place in the hearts of children and parents alike. These vibrant spaces of imagination, exploration, and laughter are where friendships are forged, physical skills are honed, and memories are created. Over the years, playground equipment has evolved from simple swing sets and slides to complex structures that blend safety and innovation seamlessly. In this age of technological advancement, the modern playground is a testament to the harmonious marriage of cutting-edge design and the utmost concern for children’s safety. They allow children to grow and develop as they get older. 

    The Evolution of Playground Safety

    Safety has always been a main priority in playground designs, but the definition of safety has expanded far beyond traditional measures. In the past, playground safety often meant having padded surfaces under equipment and ensuring there were no sharp edges. However, the modern approach is a holistic one that considers not only physical safety but also psychological, social, and emotional well-being.

    Impact-Absorbing Surfaces: The days of hard asphalt or concrete under playground equipment are long gone. Modern playgrounds feature impact-absorbing surfaces like rubber mulch, artificial turf, and poured-in-place rubber. These surfaces reduce the risk of injuries from falls while providing a comfortable and accessible play environment for children of all abilities. If you’re looking for inspiration and more information about these surfaces, you can try services from turfresh like their TurfSpray.

    Age-Appropriate Zones: Designing playgrounds with age-appropriate zones is another innovation that contributes to safety. Children have different developmental needs and capabilities at various stages of their growth. By segmenting play spaces, designers can create areas that cater specifically to infants, toddlers, preschoolers, and older children, minimizing the risk of collisions and ensuring each age group can engage in activities suitable for their abilities and ages. 

    The Technological Frontier

    Innovation has revolutionized every aspect of our lives, and playground design is no exception. The incorporation of technology has opened up exciting possibilities for enhancing play experiences while maintaining safety.

    Augmented Reality (AR) Play: Augmented reality has made its way to the playground, transforming ordinary structures into interactive wonderlands. With the use of AR apps and devices, children can embark on virtual treasure hunts, solve puzzles, and learn in an engaging and dynamic way. This integration of technology encourages physical activity while fostering cognitive development and creativity.

    Smart Play Equipment: Smart technology is making its mark on playgrounds, offering features like interactive panels that teach children about the environment, sensors that detect overcrowding or unsafe conditions, and even play equipment that adapts to individual preferences. These innovations not only make play more engaging but also contribute to safety by providing real-time monitoring and data-driven insights.

    Inclusivity at the Core

    Modern playgrounds aim to be inclusive spaces where every child, regardless of ability, can participate fully in play. Inclusivity isn’t just an added feature—it’s a fundamental aspect of innovative playground design.

    Adaptive Equipment: Advancements in design have led to the creation of adaptive play equipment that caters to children with disabilities. Inclusive swings, wheelchair-accessible ramps, sensory-rich panels, and quiet areas offer a truly enriching play experience for all children, fostering a sense of belonging and understanding from an early age.

    Sensory Play: Sensory play has gained prominence as an essential component of playground design. Features like textured surfaces, musical elements, and interactive water play not only engage children’s senses but also offer therapeutic benefits. For children with sensory processing disorders, these features can be particularly valuable, creating a safe and enjoyable environment where they can explore and engage with their surroundings.

    Sustainability and Eco-Friendly Design

    As global awareness of environmental issues grows, so does the emphasis on sustainable playground design. From materials to energy efficiency, innovation in playgrounds now extends to eco-friendly practices.

    Recycled Materials: Playground equipment manufacturers are increasingly utilizing recycled materials in their designs. Structures made from recycled plastics, sustainable wood, and repurposed metals not only reduce the environmental impact but also set an example of responsible consumption and waste reduction for young generations.

    Natural Integration: Modern playgrounds are being designed with a greater emphasis on blending in with the natural environment. Elements like climbing rocks, tree-inspired structures, and nature-themed play areas connect children with the outdoors, fostering a sense of appreciation for nature while promoting physical activity.

    Collaboration and Community Involvement

    Innovation in playground design goes beyond technological features and sustainable materials—it involves collaboration with communities and the people who will use the space.

    Community Input: Designers are increasingly involving local communities, parents, and children in the design process. This collaboration ensures that the playground meets the specific needs and preferences of the people who will use it, creating a sense of ownership and pride within the community.

    Flexible Design: Modern playgrounds are designed with flexibility in mind. Structures can be expanded, modified, or rearranged to accommodate changing play trends, community preferences, and evolving safety standards. This adaptability ensures that the playground remains relevant and engaging for years to come. They are also made to suit different age groups. 

    The evolution of playground equipment design is a testament to the remarkable ways innovation and safety can coexist. Today’s playgrounds are more than just spaces for physical activity—they are environments that foster creativity, inclusivity, and community engagement. As technology continues to advance and our understanding of child development deepens, the possibilities for innovative playground design are limitless. By prioritizing safety, embracing technological advancements, promoting inclusivity, and incorporating sustainable practices, we are shaping a new era of playgrounds that will inspire and delight children for generations to come.

  • Freytag Anderson

    Freytag Anderson

    Founded by Daniel Freytag and Greig Anderson, Freytag Anderson is a design studio based in Glasgow and working with people all over the world. Our contributor Morgane Bigault visited their studio and chatted with Daniel and Greig about how they started their company, the influence of their workspace in their work and where they draw inspiration from.

    www.freytaganderson.com

    Photographs & interview by Morgane Bigault.

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    Could you tell us about your backgrounds?

    Daniel Freytag: I’m a designer, photographer and serial idealist. I’m creative director and co-founder at Freytag Anderson, an award-winning branding and design studio. My work as a designer has taken me all over the world – allowing me to see some interesting things and meet some great people along the way.

    When I’m not designing I work on other creative ventures such as curating Editions of 100 (an online print store by a global community of designers), setting up a children’s app business with my wife (junoberry.com) or most recently, working on a publishing concept, for customized children’s books.

    I grew up in the small village of Bühlertal on the edge of the Schwarzwald in Germany. Since then, I’ve lived and worked in Dubai, New York, Sydney, Seoul and London. I recently moved back to Scotland where I now live with my family on the West Coast regularly dipping back into the big smoke!

    Greig Anderson: I’m creative director and co-founder of Freytag Anderson, originally from Aberdeen, and educated in Glasgow. I’m a brand and design professional with over 11 years’ experience working locally and internationally with a wide variety of clients.

    My main interest lies in brand creation and visual identity systems and my work has seen me gain experience across a variety of studio environments in both Glasgow and Sydney, from boutique brand studios to multi-disciplinary agencies and experiential environment practices. This variety has allowed me to work across a diverse range of projects from the launch materials of Virgin Mobile Australia, global digital campaigns for Dell EMEA/Latin America to branding and launching a variety of new-to-market whisky, vodka and beer products.

    Alongside my commercial work I also write about design for leading industry blog FormFiftyFive and I am involved in the design debate through social media. I have an obsession with Instagram and anything with two wheels and pedals.

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    How did your career as a duo came up?

    We both spent time living and working in Sydney (but not at the same time) and made some mutual friends. When we got back to Glasgow we met up and shared studio space. We found we had a common design aesthetic/process, so it made sense to start working together on a few projects. Out of this came Freytag Anderson – it was really pretty straightforward – the hardest thing was coming up with the studio name – that took months!

    Was it hard to find clients at first?

    Because we had both come from running our own independent studios (Berg/Effektive), we already had a good online profile and several clients. This made things a lot easier as we had a substantial body of work to promote the new studio, allowing us to hit the ground running. Overall the transition to Freytag Anderson was pretty quick – we found working with two heads much more productive and satisfying.

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    When did you move in to your studio and why did you choose this location?

    Our first studio was tiny – literally a shoebox. We were therefore very keen to work in a larger space. This would also allow us to create a shared working environment where we could collaborate with other designers and friends. This was a crucial part of our business strategy – we didn’t want the stress of employing people full-time but equally understood the benefits from working with other like-minded individuals.

    At the time the Southblock building was a new creative space in the city centre. Run by WASPS, the building caters for commercial creative businesses and art-based practices. It was perfect for our needs and aspirations as a studio. There are also many other studios in the building, which gives the place a real creative buzz, something we find inspiring and exciting.

    Does the workspace influence your creativity?

    Absolutely – creativity is all about doing new things, going out on a limb and experimenting. Having the right workspace is critical to this – but more importantly, you need to surround yourself with the right people. People that inspire you.

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    What does Glasgow mean to you? What are your favourite places in this city?

    Glasgow is a vibrant, energetic city. It’s a hard, funny, honest place where folk aren’t afraid to speak their minds. When I think of Glasgow I think of the old adage “A hard life makes for quality”. It’s a great place to be a creative person; it keeps you on your toes and allows you the freedom to explore.

    In terms of favourite places, although a relatively small city, Glasgow is very diverse – leafy West-End with its bohemian vibe, universities, cafés, galleries and bars – Ashton Lane is a definite favourite down there. The Merchant City to the east of the city centre (where our studio is based) is fast becoming a creative hub for all things art and design. Great coffee shops, bars, shops and galleries add to the creative vibe and encourage a lot of pop-up events and festivals in the area. It feels like there is something happening and it’s great to be part of it.

    You do client work. Could you give us an insight into how you approach each particular client, as they are very different, going from a wine company to an art gallery?

    Our design process is all about getting to know people and their businesses. People are at the heart of design. As designers we understand people, communicate with them, and create for them. It’s the best thing about being a designer.

    We like our clients, often becoming friends beyond the project. Getting to know them well is crucial as ultimately our design thinking and executions need to speak for them, whether it’s a logo, product or website.

    We work with people all over the world doing all sorts of things. I can’t think of another industry where you’re learning about craft beer one week and the next you’re into server systems and data management. For us it’s this variety that keeps things fresh and interesting. It’s learning about new things that gets us out of bed in the morning.

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    You have been awarded Scottish Design Agency of The Year. What is the project you are the most proud of?

    That’s hard to say. We’re proud of all of our projects in different ways. I’d say the work we did with Fyne Ales Craft Brewery stands out. It was a collaborative project with our studio mate Matt Burns where we were asked to design a beer label for their limited editions beer, 48 Miles Later. What made it a great project is that we saw the brewing process from start to finish: meeting the brewers, brewing the beer and ultimately seeing the bottles in the pub. The project was also recognized by the industry and awarded both Best Packaging as well as the prestigious Chairman’s Award at the Scottish Design Awards.

    You describe your work process as listening, questioning, exploring and researching. Where do you draw your inspiration from?

    Our inspiration and ideas come from experiences, from the world around us, from the things we see and people we meet. As designers we watch, listen and observe – we’re compulsive hoarders of interesting things. The more we experience, the more we accumulate, thereby creating a rich visual vocabulary. The better the vocabulary the better the ideas.

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    What would you say is the Freytag Anderson signature?

    I guess we try to keep things simple. Whether that’s running the project or creating the work. We believe in reducing any design work to the essential elements, stripping out the superfluous. As Dieter Rams says: “Good design is as little design as possible.” We think simple is good.

    What is your next big goal?

    We don’t really have one. We want to continue to develop our studio and the work that we produce. We are excited by new challenges and experiences and every day can be different. We feel lucky to be able to run our own studio and work directly with our clients. Ultimately, we want to continue to do good work and get paid (well) for it.

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  • Creating A Work Environment To Boost Creativity

    For many of us, working in a more creative work environment would be both enriching and conducive to us getting more work done. We would be at our best and therefore likely to be more productive and efficient each day. This is gradually becoming a consideration for some businesses, you only need to look at Google’s headquarters, Googleplex, to see that large corporations are now taking this seriously. Whether you work alone, in a small office or a large company, there are things that you can either enact or suggest to create a work environment to boost creativity. 

    Many of us would love to work in a creative field, but where this is not possible for our 9-5, let’s at least bring some creativity into our workplaces. 

    Image Pixabay – Pixabay License 

    Ensure that it is visually appealing

    This is the first priority, to make the workspace visually appealing.

    Where possible, allow for plenty of natural light to flood in, and if not, then look to create the illusion with cleverly positioned lighting and light and airy colours.

    Add splashes of colour with either decor like office pods, pictures or flowers and plants. Studies have shown that working near plants can actually improve productivity and employees happiness levels, so add some in and see what difference it makes in your office.

    Throw in boards that people can scribble, doodle and draw on around the walls to channel that creativity.

    Make it comfortable

    All workstations need to be ergonomically designed and assessed to ensure that people are comfortable working at them. In addition to them being comfortable, you will need to create an environment where people are encouraged to move around regularly.

    Look to add comfortable breakout areas and ensure that the temperature is at the right level.

    Click  why you need a good office chair for more information.

    Focus on the aroma

    Now we don’t all like the same smells, it is true, but there are probably many that we all dislike.

    Whilst we all want a clean environment, chemical smells can be off putting so seek to mask these with gentler scents such as flowers or plugin fresheners. Breakfast brought into the office is bound to lend a wonderful aroma to the room or simply throw open the windows for a blast of fresh air.

    If you work from home, you can burn your favourite candle as you work or brew up some coffee if that’s your thing.

    Think about the noise

    This is something that is often overlooked. Many people work hard on the visual and then completely forget to address the noise.

    Think about your own mood when you work. Do you work better in a silent room, a room with lots of shouting and noise or perhaps a room with music playing? For many of us, it will be the latter. Music can put us in a better mood and provide a great background soundtrack to your working day.

    For your work environment, look into DAB radio deals and get yourself set up with a radio. If you work alone, choosing the station that you listen to will be a breeze. If you are in a bigger group, then there might have to be a vote for this one, or you might choose to keep it calm with a classical station.

  • Summer Outfit Tips To Embrace Your Style

    Summertime is the perfect time to let your personality shine through in your fashion choices. With the warm weather and relaxed vibe, there’s no need to dress like everyone else. In fact, following the trends too closely can make you look like a clone of everyone else. So this summer, take a chance and wear something that expresses your unique style! In this blog post, we’ll give you tips on putting together outfits that reflect who you are.

    Via Pexels

    Be Confident:

    The most important thing about fashion is that you feel good in what you’re wearing. If you don’t feel confident, it will show in your body language and affect how others perceive you. So no matter what you choose to wear, make sure it’s something that makes you feel good about yourself. One way to build confidence is to wear something you know you look good in. Whether it’s a new dress or your favourite pair of jeans, if you feel great in it, others will take notice.

    Experiment:

    Fashion is all about experimentation. Don’t be afraid to try new styles or silhouettes. It’s the only way to find out what looks good on you. The best part about summer fashion is that there are so many different trends to try. From crop tops to maxi dresses, there’s something for everyone. So go ahead and experiment with your style this summer. You might be surprised at how good you look in something you would never have thought to try before. And don’t forget, the most important thing is to have fun with your clothes. After all, fashion is supposed to be fun!

    Be Unique:

    One of the best ways to stand out from the crowd is to be unique. There’s no need to dress like everyone else. It’s often more stylish to dress differently. So when you’re putting together a summer outfit, try to find pieces that are unique and different.Alternatively, you could check out vintage shops, thrift shops, or online retailers specializing in unusual clothing that has been upcycled with fantastic prints made using direct to garment printers. One great way to be unique is to embrace your own personal style. If you’re a tomboy, don’t try to dress like a girly girl. And if you’re usually pretty conservative, don’t try to dress like a club girl. Be true to yourself, and you’ll always look stylish.

    Accessorise:

    Accessories are a great way to add personality to your summer outfits. If you’re unsure about what to wear, start with a basic outfit and add some fun accessories. Off-the-shoulder dresses paired with strapless bras for summer and statement necklaces are a great way to add some personality to your look. If you’re looking for something more casual, try pairing a printed t-shirt with some denim shorts and strappy sandals. Add a hat or sunglasses for a touch of glamour. Additionally, don’t forget the power of a great handbag. It can really pull an outfit together and make you look put together.

    Summer is the perfect time to try out new trends and have fun with your style. With so many options available, there’s no reason not to experiment. So be bold and try something new this summer!

  • Vanguards Magazine

    Vanguards Magazine

    Founded by James Roberts and Hugo Ross, Vanguards is a new magazine exploring and celebrating Scotland’s rich and diverse design and manufacturing tradition. We visited James and Hugo at the magazine’s studio just before the first issue was launched and we chatted about what made them start their own publication, what makes Vanguards different from the rest of independent magazines and their plans for the next issue.

    www.vanguardsmagazine.com

    Magazine photos by Peter Dibdin.

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    How did you meet and how did you decide to start a magazine?

    We met at Edinburgh University – day one of first year. We’ve both just managed to finish a 5 year degree in Fine Art but have developed passions in design, fashion and manufacturing.

    In the winter of 2014 we visited Laurence Odie, a Shetland knitwear manufacturer, and learnt about his incredible products and his factory’s incredible history. We wanted to tell his story, and educate people like ourselves, interested in quality clothing and fashion. We wanted to demonstrate how much of a significant player in the knitwear industry he is. Laurence promised us that there were far more untold and equally interesting stories out there in Scotland. Vanguards magazine is the culmination of a number of these stories, celebrating honest, thoughtful and quality brands.

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    Why did you decide to focus on Scotland’s design and manufacturing tradition as the topic for the magazine?

    Our passion and interest will forever revolve around design and manufacture – sharing that common interest in the first year of university, is the reason we became friends. Vanguards is most definitely a product of its circumstance – that fact that we are studying in Edinburgh, has everything to do with the magazine’s focus on Scotland. We are just incredibly lucky that Scotland has such a rich history and has an abundance of stories, brands and individuals to celebrate.

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    Could you take us through the different features readers can find in the first issue?

    There’s a great mixture of stuff in issue 1, from classic Scottish brand, Mackintosh, to an article on Loch Duart, a salmon fish farm on the north coast. We wanted to stretch the terms design and manufacturing as much as we could. So design can mean the work of textile designer, Bernat Klein (whose daughter is interviewed in the first issue), or it can mean the design of one of Black Isle Brewery’s organic beers. We also choose the word manufacturing to mean both the small scale, like Trakke’s bags, to the larger scale like Mackintosh’s raincoats. All the stories celebrate the brands and their products, whilst also using that as starting point to discuss issues like unsustainable manufacturing, or why we don’t buy into our own amazing knitwear, like Laurence Odie’s!

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    What makes Vanguards different to other independent publications?

    For a long time we were trying to identify our opportunity within the niche creative independent magazine market – although it is something we are realistically still working on – we strive for our features to be well rounded for our readers, and perhaps offer some meaning, instead of just offering well curated aesthetic photographs. We also think that our focus on one country over a prolonged period of time (instead of just one issue) sets us apart from other travel magazines. We really want to get to understand Scotland and share that with our readers.

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    You’ve just graduated from Edinburgh College of Art, what’s next? Are there any plans for issue #2 that you can share?

    We’ve been building Vanguards for the past 18 months, there are definitely enough features and stories out there for a second, third and even fourth issue. It is our ultimate desire to keep the dream going! Issue 2 is being discussed and we’re hopeful for its release in December. We’ll keep pushing the writing and the visuals, and have some really amazing brands we want to feature.

    We also want to collaborate more with the brands we feature to make limited edition products. To go with issue 1, we’ve produced a line of jumpers with Laurence Odie which really are the best jumpers we’ve worn!

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